How the level of integration of the fantastic element into the fictional world influences reading – The Left Hand of Darkness, Dominion, Look Who's Back, and The Book Thief

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F15%3A00089963" target="_blank" >RIV/00216224:14210/15:00089963 - isvavai.cz</a>

Výsledek na webu

<a href="http://hdl.handle.net/11222.digilib/135006" target="_blank" >http://hdl.handle.net/11222.digilib/135006</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

How the level of integration of the fantastic element into the fictional world influences reading – The Left Hand of Darkness, Dominion, Look Who's Back, and The Book Thief

Popis výsledku v původním jazyce

The aim of this paper is to show a correlation between the level of integration of the fantastic element into the structure of the fictional world and the potential of literary works to be successfully read as both fantastic literature and non-genre literature, valuable for their meaning, transcendence and art of narration. It will introduce four levels of integration of the fantastic element and focus on two neighbouring levels: the fantastic element used as a platform and as a resource. Using four specific examples, I will try to distinguish very different attitudes toward the fantastic element and to argue that literary works using the fantastic element merely as a resource for expressing something else do not necessarily indicate failed fantasy, but create a specific fuzzy set within fantastic literature, which I call the fantastic as a means of expression (and which might be distinguished from the fuzzy set of the pure fantastic, characterised by the full contextualisation of the fantastic ele...

Název v anglickém jazyce

How the level of integration of the fantastic element into the fictional world influences reading – The Left Hand of Darkness, Dominion, Look Who's Back, and The Book Thief

Popis výsledku anglicky

The aim of this paper is to show a correlation between the level of integration of the fantastic element into the structure of the fictional world and the potential of literary works to be successfully read as both fantastic literature and non-genre literature, valuable for their meaning, transcendence and art of narration. It will introduce four levels of integration of the fantastic element and focus on two neighbouring levels: the fantastic element used as a platform and as a resource. Using four specific examples, I will try to distinguish very different attitudes toward the fantastic element and to argue that literary works using the fantastic element merely as a resource for expressing something else do not necessarily indicate failed fantasy, but create a specific fuzzy set within fantastic literature, which I call the fantastic as a means of expression (and which might be distinguished from the fuzzy set of the pure fantastic, characterised by the full contextualisation of the fantastic ele...

Druh

J_x - Nezařazeno - Článek v odborném periodiku (Jimp, Jsc a Jost)

CEP obor

AJ - Písemnictví, mas–media, audiovize

OECD FORD obor

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Projekt

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Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2015

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Bohemica litteraria

ISSN

1213-2144

e-ISSN

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Svazek periodika

18

Číslo periodika v rámci svazku

2

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

15

Strana od-do

115-129

Kód UT WoS článku

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EID výsledku v databázi Scopus

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