Updated Photograph of the 21st century

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F15%3A00083049" target="_blank" >RIV/00216224:14210/15:00083049 - isvavai.cz</a>

Výsledek na webu

<a href="http://conferences.au.dk/nsae2015/" target="_blank" >http://conferences.au.dk/nsae2015/</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Updated Photograph of the 21st century

Popis výsledku v původním jazyce

During the thirties, Jiří Jeníček, Czech modernist and amateur photographer, tried to redefine the role of photography within modern society and for this purpose introduced a new term: the so-called updated photograph ? a photograph which is not only strictly current in its content but also deeply intellectual inits message. Such a photograph is united with the certain space-time; its existence is possible only within the specific context and its core is centered on the mediation of ideas. Nevertheless,Jeníček was fascinated by Eugene Atget photographs which were only recently presented to the Czech photographic society ? and this fascination led him straight into the arms of the specific kind of surrealistic labyrinth. This interesting dichotomy of time, rather dichotomy of dealing with time, is crucial in its aesthetic consequences.

Název v anglickém jazyce

Updated Photograph of the 21st century

Popis výsledku anglicky

During the thirties, Jiří Jeníček, Czech modernist and amateur photographer, tried to redefine the role of photography within modern society and for this purpose introduced a new term: the so-called updated photograph ? a photograph which is not only strictly current in its content but also deeply intellectual inits message. Such a photograph is united with the certain space-time; its existence is possible only within the specific context and its core is centered on the mediation of ideas. Nevertheless,Jeníček was fascinated by Eugene Atget photographs which were only recently presented to the Czech photographic society ? and this fascination led him straight into the arms of the specific kind of surrealistic labyrinth. This interesting dichotomy of time, rather dichotomy of dealing with time, is crucial in its aesthetic consequences.

Druh

O - Ostatní výsledky

CEP obor

AA - Filosofie a náboženství

OECD FORD obor

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Projekt

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Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2015

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů