Transformations of the Post-socialist Producer

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F15%3A00086141" target="_blank" >RIV/00216224:14210/15:00086141 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Transformations of the Post-socialist Producer

Popis výsledku v původním jazyce

This paper draws on an industry report on feature film development, Commissioned by the Czech State Film Fund, based on 67 in-depth interviews with key Czech producers, screenwriters and directors. It shows how the typical business model of Czech film producers limits possibilities of more systematic screenplay development and more long-term production strategies. Development is described as a critical point of the Czech film production system, responsible for weak performance of Czech films at international festivals and foreign markets. As a side product, the study also describes the current state of the local producing. The presentation uses these outcomes to propose a broader historical argument explaining how the profession of film producer had tobe re-established after 1989 and what development stages did it go through before it diversified into four basic producer types, identified by the report.

Název v anglickém jazyce

Transformations of the Post-socialist Producer

Popis výsledku anglicky

This paper draws on an industry report on feature film development, Commissioned by the Czech State Film Fund, based on 67 in-depth interviews with key Czech producers, screenwriters and directors. It shows how the typical business model of Czech film producers limits possibilities of more systematic screenplay development and more long-term production strategies. Development is described as a critical point of the Czech film production system, responsible for weak performance of Czech films at international festivals and foreign markets. As a side product, the study also describes the current state of the local producing. The presentation uses these outcomes to propose a broader historical argument explaining how the profession of film producer had tobe re-established after 1989 and what development stages did it go through before it diversified into four basic producer types, identified by the report.

Druh

O - Ostatní výsledky

CEP obor

AL - Umění, architektura, kulturní dědictví

OECD FORD obor

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Projekt

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Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2015

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů