Intercultural (Mis)Understanding Of Mood : Westerners Listening To The Turkish Art Music

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F16%3A00090563" target="_blank" >RIV/00216224:14210/16:00090563 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Intercultural (Mis)Understanding Of Mood : Westerners Listening To The Turkish Art Music

Popis výsledku v původním jazyce

When forced to accept the empiric fact of people being emotionally moved by music, formalists turn to „music arouses moods that are associated to emotions“ explanation in order to refute the direct connection between emotions and the beauty of music. While within the European context such „communication of moods“ claim raises no significant doubt, the situation changes when non-European music is taken into account. I shall focus on the moods that are sought to be aroused by composers of instrumental Turkish Classical Music since 16th century at the latest. The dynamic (tempo and volume) part of Turkish music works in a very similar way in respect of mood arousal, most probably because of the worldwide shared similarity of mood-qualities of slow/fast and silent/loud speech, which is the most the most explicit sonic expression of mood or emotion to which a musical analogy can be drawn. However, the way the tonal (melodic/harmonic) mood arousal works is not so commonly agreed upon.

Název v anglickém jazyce

Intercultural (Mis)Understanding Of Mood : Westerners Listening To The Turkish Art Music

Popis výsledku anglicky

When forced to accept the empiric fact of people being emotionally moved by music, formalists turn to „music arouses moods that are associated to emotions“ explanation in order to refute the direct connection between emotions and the beauty of music. While within the European context such „communication of moods“ claim raises no significant doubt, the situation changes when non-European music is taken into account. I shall focus on the moods that are sought to be aroused by composers of instrumental Turkish Classical Music since 16th century at the latest. The dynamic (tempo and volume) part of Turkish music works in a very similar way in respect of mood arousal, most probably because of the worldwide shared similarity of mood-qualities of slow/fast and silent/loud speech, which is the most the most explicit sonic expression of mood or emotion to which a musical analogy can be drawn. However, the way the tonal (melodic/harmonic) mood arousal works is not so commonly agreed upon.

Druh

O - Ostatní výsledky

CEP obor

AL - Umění, architektura, kulturní dědictví

OECD FORD obor

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Projekt

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Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2016

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů