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How Much Jewish Is Music In The Film Yentl (1983)? : Compositional Work With Ethnic Music Elements

Identifikátory výsledku

  • Kód výsledku v IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F16%3A00092753" target="_blank" >RIV/00216224:14210/16:00092753 - isvavai.cz</a>

  • Výsledek na webu

    <a href="https://www.tcd.ie/Music/news/SMI_Conference_Oct2015.php" target="_blank" >https://www.tcd.ie/Music/news/SMI_Conference_Oct2015.php</a>

  • DOI - Digital Object Identifier

Alternativní jazyky

  • Jazyk výsledku

    angličtina

  • Název v původním jazyce

    How Much Jewish Is Music In The Film Yentl (1983)? : Compositional Work With Ethnic Music Elements

  • Popis výsledku v původním jazyce

    The integration of ethnic music into the film score is a great challenge for every composer of film music, which is conditioned by thorough knowledge of historical circumstances connected with the place and time given by the film. From the compositional point of view there are several ways how to integrate the ethnic music into the film score. The most authentic reproduction of music typical for specific place or time with the use of adequate instruments is most often used in diegetic form. On the other hand, non-diegetic musical parts enable the composer to be more creative thanks to the use of ethnic elements freely integrated into music components, e.g. harmony, melody, rhythmical stylization or the choice of a typical instrument. The core of my speech is the music analysis of the ethnic elements and how they are used in the film Yentl (1983). The director, producer as well as the main star of this film is Barbra Streisand, who had invited a French composer Michel Legrand to compose musical score.

  • Název v anglickém jazyce

    How Much Jewish Is Music In The Film Yentl (1983)? : Compositional Work With Ethnic Music Elements

  • Popis výsledku anglicky

    The integration of ethnic music into the film score is a great challenge for every composer of film music, which is conditioned by thorough knowledge of historical circumstances connected with the place and time given by the film. From the compositional point of view there are several ways how to integrate the ethnic music into the film score. The most authentic reproduction of music typical for specific place or time with the use of adequate instruments is most often used in diegetic form. On the other hand, non-diegetic musical parts enable the composer to be more creative thanks to the use of ethnic elements freely integrated into music components, e.g. harmony, melody, rhythmical stylization or the choice of a typical instrument. The core of my speech is the music analysis of the ethnic elements and how they are used in the film Yentl (1983). The director, producer as well as the main star of this film is Barbra Streisand, who had invited a French composer Michel Legrand to compose musical score.

Klasifikace

  • Druh

    O - Ostatní výsledky

  • CEP obor

    AL - Umění, architektura, kulturní dědictví

  • OECD FORD obor

Návaznosti výsledku

  • Projekt

  • Návaznosti

    S - Specificky vyzkum na vysokych skolach

Ostatní

  • Rok uplatnění

    2016

  • Kód důvěrnosti údajů

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů