Film Music in Czech Music Periodicals in the 1960s

Kód výsledku v IS VaVaI

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Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Film Music in Czech Music Periodicals in the 1960s

Popis výsledku v původním jazyce

The loosening of socio-political constraints in Czechoslovakia during the 1960s caused a blossoming of creative development in the areas of film and film music. Thanks to the restoration of contacts with Western European music, Czech composers began to use new composition techniques; they also began to use 'real' sounds and silence more functionally, while also incorporating elements of jazz and popular music into their film scores. As a consequence, film music started to change in scope and interest. This paper observes how Czech music periodicals, Hudební rozhledy ['Music Review'] in particular, reflected these developmental changes. The author divides texts on film music into three groups according to their length, content and structure. Further aspects of the texts are explored including the development of their content. In the final part of this paper, the job of Czech film music critic in the 1960s is compared with the same position in the years preceding and following that decad

Název v anglickém jazyce

Film Music in Czech Music Periodicals in the 1960s

Popis výsledku anglicky

The loosening of socio-political constraints in Czechoslovakia during the 1960s caused a blossoming of creative development in the areas of film and film music. Thanks to the restoration of contacts with Western European music, Czech composers began to use new composition techniques; they also began to use 'real' sounds and silence more functionally, while also incorporating elements of jazz and popular music into their film scores. As a consequence, film music started to change in scope and interest. This paper observes how Czech music periodicals, Hudební rozhledy ['Music Review'] in particular, reflected these developmental changes. The author divides texts on film music into three groups according to their length, content and structure. Further aspects of the texts are explored including the development of their content. In the final part of this paper, the job of Czech film music critic in the 1960s is compared with the same position in the years preceding and following that decad

Druh

J_x - Nezařazeno - Článek v odborném periodiku (Jimp, Jsc a Jost)

CEP obor

AL - Umění, architektura, kulturní dědictví

OECD FORD obor

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Projekt

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Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2010

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Musicologica Olomucensia

ISSN

1212-1193

e-ISSN

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Svazek periodika

11

Číslo periodika v rámci svazku

11

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

8

Strana od-do

87-94

Kód UT WoS článku

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EID výsledku v databázi Scopus

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