Popular Music on the Radio in the Communist and Post-Communist Era —The Issue of Continuity and Discontinuity Drawing on the Example of the Czech Situation

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F23%3A73620944" target="_blank" >RIV/61989592:15210/23:73620944 - isvavai.cz</a>

Výsledek na webu

<a href="https://muzykologia.uj.edu.pl/documents/6464892/155233608/01Bluml.pdf/703081f0-f3df-468b-aa38-1c471e6376a0" target="_blank" >https://muzykologia.uj.edu.pl/documents/6464892/155233608/01Bluml.pdf/703081f0-f3df-468b-aa38-1c471e6376a0</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Popular Music on the Radio in the Communist and Post-Communist Era —The Issue of Continuity and Discontinuity Drawing on the Example of the Czech Situation

Popis výsledku v původním jazyce

Through selected phenomena, the paper examines the role of popular music in thestate-owned Czechoslovak Radio in the communist era and later in the first Czechprivate radio stations after 1989. Special attention is paid to the phenomenon of radiohit parades. These began to be broadcast in Czechoslovakia in the 1960s, and theirfounders were also significant in establishing the format in the context of the privatemedia of the 1990s. The paper considers the development and changes in the role ofpopular music in radio broadcasting in a broader cultural and political context.

Název v anglickém jazyce

Popular Music on the Radio in the Communist and Post-Communist Era —The Issue of Continuity and Discontinuity Drawing on the Example of the Czech Situation

Popis výsledku anglicky

Through selected phenomena, the paper examines the role of popular music in thestate-owned Czechoslovak Radio in the communist era and later in the first Czechprivate radio stations after 1989. Special attention is paid to the phenomenon of radiohit parades. These began to be broadcast in Czechoslovakia in the 1960s, and theirfounders were also significant in establishing the format in the context of the privatemedia of the 1990s. The paper considers the development and changes in the role ofpopular music in radio broadcasting in a broader cultural and political context.

Druh

J_ost - Ostatní články v recenzovaných periodicích

CEP obor

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OECD FORD obor

60401 - Arts, Art history

Projekt

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Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2023

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Musica Iagellonica

ISSN

1233-9679

e-ISSN

2545-0360

Svazek periodika

14

Číslo periodika v rámci svazku

1

Stát vydavatele periodika

PL - Polská republika

Počet stran výsledku

11

Strana od-do

15-25

Kód UT WoS článku

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EID výsledku v databázi Scopus

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