Re-co(r)ding the Scene of the Crime. Processing the Ontology of Dissapearance

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F17%3A00098173" target="_blank" >RIV/00216224:14210/17:00098173 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Re-co(r)ding the Scene of the Crime. Processing the Ontology of Dissapearance

Popis výsledku v původním jazyce

Current debates on media-performance relationship challenge an ability of documentary materials, like photographs, video, film, props, scores, scripts or reviews, to provide a true and an authentic evidence of live events and thus to contribute to our knowledge of historical live arts in general. Another quite recent tendency in media-performance discourse has been led by the belief in an ability of re-enactments of historical performances to overcome limits of inevitably mediated (second-hand) quality of our experience of the historical live arts. The paper 1) contributes to the discourse by a critical overview of certain strategies of transparent mediation of live performance historiography. And 2) it is a report on the experiment on theatre performance’s live-reco(r)ding and real-time transformation. The purpose of the experiment was to challenge the traditional time-based historiography (with its categories of past-present-future) by space-based digital historiography (with its categories of real-time processing, and endless interpretations).

Název v anglickém jazyce

Re-co(r)ding the Scene of the Crime. Processing the Ontology of Dissapearance

Popis výsledku anglicky

Current debates on media-performance relationship challenge an ability of documentary materials, like photographs, video, film, props, scores, scripts or reviews, to provide a true and an authentic evidence of live events and thus to contribute to our knowledge of historical live arts in general. Another quite recent tendency in media-performance discourse has been led by the belief in an ability of re-enactments of historical performances to overcome limits of inevitably mediated (second-hand) quality of our experience of the historical live arts. The paper 1) contributes to the discourse by a critical overview of certain strategies of transparent mediation of live performance historiography. And 2) it is a report on the experiment on theatre performance’s live-reco(r)ding and real-time transformation. The purpose of the experiment was to challenge the traditional time-based historiography (with its categories of past-present-future) by space-based digital historiography (with its categories of real-time processing, and endless interpretations).

Druh

C - Kapitola v odborné knize

CEP obor

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OECD FORD obor

60400 - Arts (arts, history of arts, performing arts, music)

Projekt

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Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2017

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

Fluid Access : Archiving Performance-Based Arts

ISBN

9783487154763

Počet stran výsledku

14

Strana od-do

167-180

Počet stran knihy

327

Název nakladatele

Georg Olms Verlag

Místo vydání

Hildesheim-Zürich-New York

Kód UT WoS kapitoly

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