Zich as Theatre Critic : Expectations, Practice and Theory
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F18%3A00101615" target="_blank" >RIV/00216224:14210/18:00101615 - isvavai.cz</a>
Výsledek na webu
<a href="https://btc.phil.muni.cz/programme" target="_blank" >https://btc.phil.muni.cz/programme</a>
DOI - Digital Object Identifier
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Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
Zich as Theatre Critic : Expectations, Practice and Theory
Popis výsledku v původním jazyce
When introducing Otakar Zich, we usually stress his position between science and art, or more particularly describe him as kind of renaissance personality taking part in mathematics, collecting of folk songs, experimental psychology, music theory, composing chamber and chorus music, opera, theatre (especially opera) critic, aesthetician and last but not least theoretician of theatre. In terms of theatre his Aesthetic of Dramatic Art (1931) is final and synthetic work. In my paper I would like to draw our attention to Zich’s theatre reviews – it could provide us idea, how Zich applied his (early) concepts on theatre (and opera productions especially) long ago he started forming system of Aesthetics of Dramatic Art. Analysing this particular material we could see, how much is his theory of theatre influenced by and connected with actual theatre life of his times.
Název v anglickém jazyce
Zich as Theatre Critic : Expectations, Practice and Theory
Popis výsledku anglicky
When introducing Otakar Zich, we usually stress his position between science and art, or more particularly describe him as kind of renaissance personality taking part in mathematics, collecting of folk songs, experimental psychology, music theory, composing chamber and chorus music, opera, theatre (especially opera) critic, aesthetician and last but not least theoretician of theatre. In terms of theatre his Aesthetic of Dramatic Art (1931) is final and synthetic work. In my paper I would like to draw our attention to Zich’s theatre reviews – it could provide us idea, how Zich applied his (early) concepts on theatre (and opera productions especially) long ago he started forming system of Aesthetics of Dramatic Art. Analysing this particular material we could see, how much is his theory of theatre influenced by and connected with actual theatre life of his times.
Klasifikace
Druh
O - Ostatní výsledky
CEP obor
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OECD FORD obor
60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)
Návaznosti výsledku
Projekt
<a href="/cs/project/GA16-20335S" target="_blank" >GA16-20335S: Divadlo jako syntéza uměni: Otakar Zich v kontextu moderní vědy a dnešní potenciál jeho konceptů</a><br>
Návaznosti
P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)
Ostatní
Rok uplatnění
2018
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů