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Going to the Cinema as a Czech : Preferences and Practices of Czech Cinemagoers in the Occupied City of Brno, 1939–1945

Identifikátory výsledku

  • Kód výsledku v IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F19%3A00107467" target="_blank" >RIV/00216224:14210/19:00107467 - isvavai.cz</a>

  • Výsledek na webu

    <a href="https://muse.jhu.edu/issue/40467" target="_blank" >https://muse.jhu.edu/issue/40467</a>

  • DOI - Digital Object Identifier

Alternativní jazyky

  • Jazyk výsledku

    angličtina

  • Název v původním jazyce

    Going to the Cinema as a Czech : Preferences and Practices of Czech Cinemagoers in the Occupied City of Brno, 1939–1945

  • Popis výsledku v původním jazyce

    After the occupation of the Czech lands by Nazi Germany in March 1939, Czechs embraced domestic (and ignored German) movies more vigorously than they had before. This implies that the occupation caused notable changes in the mode of movie reception. After about 1942, however, the popularity of a portion of German production was increasing. This fact raises the question of whether cinemagoers' values and identities were undergoing significant change under the occupation. This paper focuses on Brno, a city with a long history of coexistence and rivalry between those who identified as Germans and as Czechs. I argue that watching a Czech movie became one of the behaviors that defined the Czech national identity. The later embrace of German entertainment by Czechs was accompanied by two strategies that redeemed watching the desired cinematic distraction from being an un-Czech behavior: by indexing the movies as not fully German due to the presence of non-German stars, and by a parallel redefinition of cinemagoers' Czech behavior from choosing Czech movies to choosing cinemas identified as non-German. These strategies represent culturally specific reactions by Czech audiences living in a nationally divided city to the distribution and exhibition practices applied during the occupation.

  • Název v anglickém jazyce

    Going to the Cinema as a Czech : Preferences and Practices of Czech Cinemagoers in the Occupied City of Brno, 1939–1945

  • Popis výsledku anglicky

    After the occupation of the Czech lands by Nazi Germany in March 1939, Czechs embraced domestic (and ignored German) movies more vigorously than they had before. This implies that the occupation caused notable changes in the mode of movie reception. After about 1942, however, the popularity of a portion of German production was increasing. This fact raises the question of whether cinemagoers' values and identities were undergoing significant change under the occupation. This paper focuses on Brno, a city with a long history of coexistence and rivalry between those who identified as Germans and as Czechs. I argue that watching a Czech movie became one of the behaviors that defined the Czech national identity. The later embrace of German entertainment by Czechs was accompanied by two strategies that redeemed watching the desired cinematic distraction from being an un-Czech behavior: by indexing the movies as not fully German due to the presence of non-German stars, and by a parallel redefinition of cinemagoers' Czech behavior from choosing Czech movies to choosing cinemas identified as non-German. These strategies represent culturally specific reactions by Czech audiences living in a nationally divided city to the distribution and exhibition practices applied during the occupation.

Klasifikace

  • Druh

    J<sub>imp</sub> - Článek v periodiku v databázi Web of Science

  • CEP obor

  • OECD FORD obor

    60405 - Studies on Film, Radio and Television

Návaznosti výsledku

  • Projekt

    <a href="/cs/project/GA16-13375S" target="_blank" >GA16-13375S: Česká filmová kultura a německá okupace: procesy kulturního transferu</a><br>

  • Návaznosti

    P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)<br>I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Ostatní

  • Rok uplatnění

    2019

  • Kód důvěrnosti údajů

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Údaje specifické pro druh výsledku

  • Název periodika

    Film History

  • ISSN

    0892-2160

  • e-ISSN

    1553-3905

  • Svazek periodika

    31

  • Číslo periodika v rámci svazku

    1

  • Stát vydavatele periodika

    US - Spojené státy americké

  • Počet stran výsledku

    29

  • Strana od-do

    27-55

  • Kód UT WoS článku

    000469286000002

  • EID výsledku v databázi Scopus