Foolhardy Exorcists and Cautious Conjurers in Caesarius of Heisterbach's Dialogus Miraculorum

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F19%3A00110170" target="_blank" >RIV/00216224:14210/19:00110170 - isvavai.cz</a>

Výsledek na webu

—

DOI - Digital Object Identifier

—

Jazyk výsledku

angličtina

Název v původním jazyce

Foolhardy Exorcists and Cautious Conjurers in Caesarius of Heisterbach's Dialogus Miraculorum

Popis výsledku v původním jazyce

The medieval imagination about the devil was not a monolithic phenomenon. Varying from the metaphysical enemy of human salvation through a tempter to sin to a physically dangerous wraith-like being, the devil could take shape of many different characters. Similarly, this imagination included numerous conceptions of possible encounter with the devil, constituting a threat, but also offering the opportunity to gain some advantage. Since long ago it has been suggested by scholars that legitimate high medieval practices of exorcism and the illicit practices of conjuring the demons were conceptually close. The conjurers, coming usually from the clerical milieu, understood their practices not as devil worship, but as a craft designed to bind the demons to their will, and obtain exclusive information from them. Similarly, exorcisms included interrogations of the demons regarding various topics. This paper will focus on the motifs of the interrogation of the devil by an exorcist or a conjurer, included in the collection of short moral stories (exempla) by the Rhineland Cistercian Caesarius of Heisterbach, entitled Dialogus Miraculorum (ca. 1220). In several stories, the devil and the demons are approached by perilous rituals, successful or failing – and, despite the morally educative purpose of Caesarius’ work, it is not always the exorcist who succeeds and the conjurer who fails. Analysing the seemingly paradoxical stories about successful conjurers and failing exorcists, the paper will discuss how, within the genre of the exempla, different kinds of imagination about the evil forces interacted. It will argue that besides various conceptions of the devil, a shared area of imagination about dangerous supernatural beings existed within the high medieval culture, where the elements of learned and popular imagination merged. It will further argue that this shared area of imagination often played a key role for cultural exchanges between different levels of medieval society.

Název v anglickém jazyce

Foolhardy Exorcists and Cautious Conjurers in Caesarius of Heisterbach's Dialogus Miraculorum

Popis výsledku anglicky

The medieval imagination about the devil was not a monolithic phenomenon. Varying from the metaphysical enemy of human salvation through a tempter to sin to a physically dangerous wraith-like being, the devil could take shape of many different characters. Similarly, this imagination included numerous conceptions of possible encounter with the devil, constituting a threat, but also offering the opportunity to gain some advantage. Since long ago it has been suggested by scholars that legitimate high medieval practices of exorcism and the illicit practices of conjuring the demons were conceptually close. The conjurers, coming usually from the clerical milieu, understood their practices not as devil worship, but as a craft designed to bind the demons to their will, and obtain exclusive information from them. Similarly, exorcisms included interrogations of the demons regarding various topics. This paper will focus on the motifs of the interrogation of the devil by an exorcist or a conjurer, included in the collection of short moral stories (exempla) by the Rhineland Cistercian Caesarius of Heisterbach, entitled Dialogus Miraculorum (ca. 1220). In several stories, the devil and the demons are approached by perilous rituals, successful or failing – and, despite the morally educative purpose of Caesarius’ work, it is not always the exorcist who succeeds and the conjurer who fails. Analysing the seemingly paradoxical stories about successful conjurers and failing exorcists, the paper will discuss how, within the genre of the exempla, different kinds of imagination about the evil forces interacted. It will argue that besides various conceptions of the devil, a shared area of imagination about dangerous supernatural beings existed within the high medieval culture, where the elements of learned and popular imagination merged. It will further argue that this shared area of imagination often played a key role for cultural exchanges between different levels of medieval society.

Druh

O - Ostatní výsledky

CEP obor

—

OECD FORD obor

60304 - Religious studies

Projekt

—

Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2019

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů