Transforming Medieval Art from Saint Petersburg to Paris : André Grabar’s Life and Scholarship between 1917 and 1945

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F20%3A00114545" target="_blank" >RIV/00216224:14210/20:00114545 - isvavai.cz</a>

Výsledek na webu

<a href="http://www.brepols.net/Pages/BrowseBySeries.aspx?TreeSeries=CONVISUP" target="_blank" >http://www.brepols.net/Pages/BrowseBySeries.aspx?TreeSeries=CONVISUP</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Transforming Medieval Art from Saint Petersburg to Paris : André Grabar’s Life and Scholarship between 1917 and 1945

Popis výsledku v původním jazyce

André Nikolajevič Grabar (1896–1990) – today esteemed as one of the twentieth century’s most important scholars of medieval art history – endured the upheaval of his life path by emigrating, from Russia to France by way of Bulgaria, before becoming the famous French art historian we recognize. The experience of emigration profoundly recast Grabar’s thought both on his homeland and on his studies of medieval and Byzantine art. This transformation happened during a timespan, between 1917 and 1945, when the field of art history itself was undergoing important, seemingly contrary, changes, not only in the direction of internationalization but also toward nationalisms. Throughout those crucial years, Grabar ultimately became an ideal figure of mediation between his native Russian milieu and the French one to which he acculturated.

Název v anglickém jazyce

Transforming Medieval Art from Saint Petersburg to Paris : André Grabar’s Life and Scholarship between 1917 and 1945

Popis výsledku anglicky

André Nikolajevič Grabar (1896–1990) – today esteemed as one of the twentieth century’s most important scholars of medieval art history – endured the upheaval of his life path by emigrating, from Russia to France by way of Bulgaria, before becoming the famous French art historian we recognize. The experience of emigration profoundly recast Grabar’s thought both on his homeland and on his studies of medieval and Byzantine art. This transformation happened during a timespan, between 1917 and 1945, when the field of art history itself was undergoing important, seemingly contrary, changes, not only in the direction of internationalization but also toward nationalisms. Throughout those crucial years, Grabar ultimately became an ideal figure of mediation between his native Russian milieu and the French one to which he acculturated.

Druh

J_ost - Ostatní články v recenzovaných periodicích

CEP obor

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OECD FORD obor

60401 - Arts, Art history

Projekt

<a href="/cs/project/GA18-20666S" target="_blank" >GA18-20666S: Kondakovovo dědictví, Byzance a emigrace (André Grabar a Seminarium Kondakovianum)</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2020

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Convivium : Exchanges and Interactions in the Arts of Medieval Europe, Byzantium, and the Mediterranean : Seminarium Kondakovianum Series Nova

ISSN

2336-3452

e-ISSN

2336-808X

Svazek periodika

7

Číslo periodika v rámci svazku

Supplement

Stát vydavatele periodika

BE - Belgické království

Počet stran výsledku

20

Strana od-do

122-141

Kód UT WoS článku

000599493300007

EID výsledku v databázi Scopus

2-s2.0-85099005251