The Czech Vienna School and the art of the ‘small people’

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F20%3A00115748" target="_blank" >RIV/00216224:14210/20:00115748 - isvavai.cz</a>

Výsledek na webu

<a href="https://arthistoriography.files.wordpress.com/2020/05/filipova.pdf" target="_blank" >https://arthistoriography.files.wordpress.com/2020/05/filipova.pdf</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

The Czech Vienna School and the art of the ‘small people’

Popis výsledku v původním jazyce

Marta Filipová examines the discipline of art history in interwar Czechoslovakia and its Austro-Hungarian legacies, paying particular attention to questions of modernity, class, and folk art and design. The article focuses on the attitudes of the Vienna School’s followers to folk art and primarily examines the writings of the Czech art historians Zdeněk Wirth (1878-1961) and Antonín Matějček (1888-1950). Their attention to art created by ‘the small people’ of villages and the countryside had clear parallels in the theories of Alois Riegl. Both Czech art historians, however, developed Riegl’s views further. Aware of the impact of modernity and industrialisation on art production, they related folk art to a specific class and the social, economic and ethnic changes in the Czech lands in the first two decades of the twentieth century. The text therefore scrutinises their reasons for the continued concern with folk art in the light of the legacy of the Vienna School.

Název v anglickém jazyce

The Czech Vienna School and the art of the ‘small people’

Popis výsledku anglicky

Marta Filipová examines the discipline of art history in interwar Czechoslovakia and its Austro-Hungarian legacies, paying particular attention to questions of modernity, class, and folk art and design. The article focuses on the attitudes of the Vienna School’s followers to folk art and primarily examines the writings of the Czech art historians Zdeněk Wirth (1878-1961) and Antonín Matějček (1888-1950). Their attention to art created by ‘the small people’ of villages and the countryside had clear parallels in the theories of Alois Riegl. Both Czech art historians, however, developed Riegl’s views further. Aware of the impact of modernity and industrialisation on art production, they related folk art to a specific class and the social, economic and ethnic changes in the Czech lands in the first two decades of the twentieth century. The text therefore scrutinises their reasons for the continued concern with folk art in the light of the legacy of the Vienna School.

Druh

J_ost - Ostatní články v recenzovaných periodicích

CEP obor

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OECD FORD obor

60401 - Arts, Art history

Projekt

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Návaznosti

R - Projekt Ramcoveho programu EK

Rok uplatnění

2020

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Journal of Art Historiography

ISSN

2042-4752

e-ISSN

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Svazek periodika

2020

Číslo periodika v rámci svazku

22

Stát vydavatele periodika

GB - Spojené království Velké Británie a Severního Irska

Počet stran výsledku

16

Strana od-do

1-16

Kód UT WoS článku

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EID výsledku v databázi Scopus

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