All Those Silhouettes, Colors, and Hats... : Ester Krumbachová as a Costume Designer.

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F21%3A00128869" target="_blank" >RIV/00216224:14210/21:00128869 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

All Those Silhouettes, Colors, and Hats... : Ester Krumbachová as a Costume Designer.

Popis výsledku v původním jazyce

Ester Krumbachová designed costumes for 26 films during the 1960s – quite a large number in the context of the time and the profession. Her activity stands out for its wide range of genres, which are also reflected in the approaches she took in particular works. Over the course of the decade, these approaches transformed significantly, together with her increasing self-confidence in film work. The corpus of surviving material in her newly accessed personal archive, together with the recollections of her contemporaries, allows us to reconstruct the specific steps she took in creating clothing for films, including the constructions of ideas woven into specific combinations, silhouettes, and accessories. Sources from Krumbachová’s estate provide an unprecedented view into the creative approaches of otherwise marginalized work. This essay thus aims to provide a different view of the Czechoslovak film “miracle” – through the lens of a profession that is unobtrusive, not very prestigious, and rarely studied.

Název v anglickém jazyce

All Those Silhouettes, Colors, and Hats... : Ester Krumbachová as a Costume Designer.

Popis výsledku anglicky

Ester Krumbachová designed costumes for 26 films during the 1960s – quite a large number in the context of the time and the profession. Her activity stands out for its wide range of genres, which are also reflected in the approaches she took in particular works. Over the course of the decade, these approaches transformed significantly, together with her increasing self-confidence in film work. The corpus of surviving material in her newly accessed personal archive, together with the recollections of her contemporaries, allows us to reconstruct the specific steps she took in creating clothing for films, including the constructions of ideas woven into specific combinations, silhouettes, and accessories. Sources from Krumbachová’s estate provide an unprecedented view into the creative approaches of otherwise marginalized work. This essay thus aims to provide a different view of the Czechoslovak film “miracle” – through the lens of a profession that is unobtrusive, not very prestigious, and rarely studied.

Druh

C - Kapitola v odborné knize

CEP obor

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OECD FORD obor

60405 - Studies on Film, Radio and Television

Projekt

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Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2021

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

Ester Krumbachová

ISBN

9788088308478

Počet stran výsledku

14

Strana od-do

88-101

Počet stran knihy

435

Název nakladatele

Vysoká škola uměleckoprůmyslová, Are

Místo vydání

Praha

Kód UT WoS kapitoly

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