Myths of Modernism : Austrian Art after 1918

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F23%3A00130963" target="_blank" >RIV/00216224:14210/23:00130963 - isvavai.cz</a>

Výsledek na webu

<a href="https://onlinelibrary.wiley.com/doi/10.1111/1467-8365.12716" target="_blank" >https://onlinelibrary.wiley.com/doi/10.1111/1467-8365.12716</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.1111/1467-8365.12716" target="_blank" >10.1111/1467-8365.12716</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Myths of Modernism : Austrian Art after 1918

Popis výsledku v původním jazyce

The development of art in Austria after 1918 remains little explored; the main focus of research continues to be fin-de-siècle Vienna. Where interwar Austrian modernism is studied at all, interest is mostly limited to the municipal housing sponsored by the Social Democratic council. The main concern of this essay is to examine the reasons for this inconsistency and comparative neglect. It explores the ways in which the historiography of Austrian post-war modernism has been informed by wider historical assumptions, about the role of the First World War as a cultural-political caesura, for instance, or by ambivalence about interwar Austrian history and its slide into fascism, or valorization of the avant-garde. A comparison is also drawn with accounts of art in interwar Czechoslovakia, where modernist practices are much celebrated since they have assumed a legitimating function for Czech and Slovak culture in the present.

Název v anglickém jazyce

Myths of Modernism : Austrian Art after 1918

Popis výsledku anglicky

The development of art in Austria after 1918 remains little explored; the main focus of research continues to be fin-de-siècle Vienna. Where interwar Austrian modernism is studied at all, interest is mostly limited to the municipal housing sponsored by the Social Democratic council. The main concern of this essay is to examine the reasons for this inconsistency and comparative neglect. It explores the ways in which the historiography of Austrian post-war modernism has been informed by wider historical assumptions, about the role of the First World War as a cultural-political caesura, for instance, or by ambivalence about interwar Austrian history and its slide into fascism, or valorization of the avant-garde. A comparison is also drawn with accounts of art in interwar Czechoslovakia, where modernist practices are much celebrated since they have assumed a legitimating function for Czech and Slovak culture in the present.

Druh

J_imp - Článek v periodiku v databázi Web of Science

CEP obor

—

OECD FORD obor

60401 - Arts, Art history

Projekt

—

Návaznosti

R - Projekt Ramcoveho programu EK

Rok uplatnění

2023

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

ART HISTORY

ISSN

0141-6790

e-ISSN

1467-8365

Svazek periodika

46

Číslo periodika v rámci svazku

2

Stát vydavatele periodika

GB - Spojené království Velké Británie a Severního Irska

Počet stran výsledku

26

Strana od-do

256-281

Kód UT WoS článku

001001073900001

EID výsledku v databázi Scopus

2-s2.0-85160934128