Ralph Vaughan Williams and Leoš Janáček as Folk Song Collectors

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F23%3A00132650" target="_blank" >RIV/00216224:14210/23:00132650 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

čeština

Název v původním jazyce

Ralph Vaughan Williams and Leoš Janáček as Folk Song Collectors

Popis výsledku v původním jazyce

This essay comprises two comparative studies between two composers and folk song collectors from different regional, social, and generational contexts. The first addresses Vaughan Williams’s and Janáček’s methodological approaches to folk song collecting – in particular, the revised Hints to Collectors of 1904, which was updated by Vaughan Williams and his fellow workers, and Janáček’s folk song collecting instructions from 1906, which was also a revision of sorts. The comparison elucidates similarities, as well as differences, between their collecting practices and between their overall conceptions of folk song and fieldwork. This first section of the essay concentrates on the theoretical frameworks underlying the contemporaneous concepts of two researchers who most likely had no idea about each other, or at least about their shared activities. The second section deals with their approaches to the use of technology in folk song collecting. The time frame covers the first ten to fifteen years of the twentieth century, when the institutions within which Vaughan Williams and Janáček were working were most active.

Název v anglickém jazyce

Ralph Vaughan Williams and Leoš Janáček as Folk Song Collectors

Popis výsledku anglicky

This essay comprises two comparative studies between two composers and folk song collectors from different regional, social, and generational contexts. The first addresses Vaughan Williams’s and Janáček’s methodological approaches to folk song collecting – in particular, the revised Hints to Collectors of 1904, which was updated by Vaughan Williams and his fellow workers, and Janáček’s folk song collecting instructions from 1906, which was also a revision of sorts. The comparison elucidates similarities, as well as differences, between their collecting practices and between their overall conceptions of folk song and fieldwork. This first section of the essay concentrates on the theoretical frameworks underlying the contemporaneous concepts of two researchers who most likely had no idea about each other, or at least about their shared activities. The second section deals with their approaches to the use of technology in folk song collecting. The time frame covers the first ten to fifteen years of the twentieth century, when the institutions within which Vaughan Williams and Janáček were working were most active.

Druh

D - Stať ve sborníku

CEP obor

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OECD FORD obor

60404 - Folklore studies

Projekt

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Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2023

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název statě ve sborníku

Vaughan Williams and Folk : 150th anniversary essays

ISBN

9781916142466

ISSN

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e-ISSN

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Počet stran výsledku

11

Strana od-do

57-67

Název nakladatele

Ballad Partners in association with the Vaughan Williams Memorial Library, English Folk Dance and Song Society

Místo vydání

Londýn

Místo konání akce

Londýn

Datum konání akce

1. 1. 2022

Typ akce podle státní příslušnosti

WRD - Celosvětová akce

Kód UT WoS článku

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