Presages of contemporary theatre studies theories in Vladimír Jindra's structuralist theory of scenography

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F23%3A00132789" target="_blank" >RIV/00216224:14210/23:00132789 - isvavai.cz</a>

Výsledek na webu

<a href="https://hdl.handle.net/11222.digilib/digilib.77966" target="_blank" >https://hdl.handle.net/11222.digilib/digilib.77966</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.5817/TY2023-1-5" target="_blank" >10.5817/TY2023-1-5</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Presages of contemporary theatre studies theories in Vladimír Jindra's structuralist theory of scenography

Popis výsledku v původním jazyce

The study provides detailed analysis of the work of Czechoslovak theoretician of scenography, Vladimír Jindra (1920–1979). It focuses on Jindra's at the time innovative taxonomy of scenography which substantially supported the shift in today's worldwide understanding of the notion of scenography as a complex theatrical discipline. The aim of the study is to connect Jindra's work with contemporary theoretical approaches to theatre, especially rooted in multimodal and cognitive analysis of scenography. Special attention is given to the elements of Jindra's work that predated Multimodal Metaphor Theory. The study shows that his conception of scenography is connected to the structuralists' understanding of the socalled 'stage metaphor'. This exploration should therefore show the reader not only the progressiveness of Jindra's thinking about scenography, but also outline a view on possible future research in the field of multimodal and cognitive approaches to theatrical scenography.

Název v anglickém jazyce

Presages of contemporary theatre studies theories in Vladimír Jindra's structuralist theory of scenography

Popis výsledku anglicky

The study provides detailed analysis of the work of Czechoslovak theoretician of scenography, Vladimír Jindra (1920–1979). It focuses on Jindra's at the time innovative taxonomy of scenography which substantially supported the shift in today's worldwide understanding of the notion of scenography as a complex theatrical discipline. The aim of the study is to connect Jindra's work with contemporary theoretical approaches to theatre, especially rooted in multimodal and cognitive analysis of scenography. Special attention is given to the elements of Jindra's work that predated Multimodal Metaphor Theory. The study shows that his conception of scenography is connected to the structuralists' understanding of the socalled 'stage metaphor'. This exploration should therefore show the reader not only the progressiveness of Jindra's thinking about scenography, but also outline a view on possible future research in the field of multimodal and cognitive approaches to theatrical scenography.

Druh

J_SC - Článek v periodiku v databázi SCOPUS

CEP obor

—

OECD FORD obor

60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Projekt

—

Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2023

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Theatralia

ISSN

1803-845X

e-ISSN

2336-4548

Svazek periodika

26

Číslo periodika v rámci svazku

1

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

19

Strana od-do

82-100

Kód UT WoS článku

—

EID výsledku v databázi Scopus

2-s2.0-85162877974