Singing in the blend : stagings of Verdi's operatic Shakespeare in the Czech Republic after 1989

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F21%3A00123765" target="_blank" >RIV/00216224:14210/21:00123765 - isvavai.cz</a>

Výsledek na webu

<a href="https://digilib.phil.muni.cz/handle/11222.digilib/143681" target="_blank" >https://digilib.phil.muni.cz/handle/11222.digilib/143681</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.5817/TY2021-S-14" target="_blank" >10.5817/TY2021-S-14</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Singing in the blend : stagings of Verdi's operatic Shakespeare in the Czech Republic after 1989

Popis výsledku v původním jazyce

The article deals with changes in creating scenography for productions of operas based on plays by William Shakespeare in former Czechoslovakia and the Czech Republic after 1989. The article discusses the procedure of a multimodal analysis of scenography based on blending theory approach. The 1991 production of Verdi’s Otello of the Prague State Opera directed by Dominik Neuner and revived in 2009 by Lubor Cukr is used as an example of creating scenographic space for operatic Shakespeare. The scenography is understood as not only visual but multimodal component of theatrical performance. Vladimír Nývlt’s concept of scenography for the Otello production is treated from the perspectives of multimodal analysis and examined in the context of other productions of operatic Shakespeare in the Czech Republic after 1989.

Název v anglickém jazyce

Singing in the blend : stagings of Verdi's operatic Shakespeare in the Czech Republic after 1989

Popis výsledku anglicky

The article deals with changes in creating scenography for productions of operas based on plays by William Shakespeare in former Czechoslovakia and the Czech Republic after 1989. The article discusses the procedure of a multimodal analysis of scenography based on blending theory approach. The 1991 production of Verdi’s Otello of the Prague State Opera directed by Dominik Neuner and revived in 2009 by Lubor Cukr is used as an example of creating scenographic space for operatic Shakespeare. The scenography is understood as not only visual but multimodal component of theatrical performance. Vladimír Nývlt’s concept of scenography for the Otello production is treated from the perspectives of multimodal analysis and examined in the context of other productions of operatic Shakespeare in the Czech Republic after 1989.

Druh

J_SC - Článek v periodiku v databázi SCOPUS

CEP obor

—

OECD FORD obor

60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Projekt

—

Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2021

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Theatralia

ISSN

1803-845X

e-ISSN

—

Svazek periodika

24

Číslo periodika v rámci svazku

Special Issue

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

20

Strana od-do

189-208

Kód UT WoS článku

—

EID výsledku v databázi Scopus

2-s2.0-85105257715