Ovid’s Metamorphoses in 17th- and 18th-Century Bohemia and Moravia

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F23%3A00135442" target="_blank" >RIV/00216224:14210/23:00135442 - isvavai.cz</a>

Výsledek na webu

<a href="https://riviste.unimc.it/index.php/cap-cult/article/view/3264/2409" target="_blank" >https://riviste.unimc.it/index.php/cap-cult/article/view/3264/2409</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.13138/2039-2362/3264" target="_blank" >10.13138/2039-2362/3264</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Ovid’s Metamorphoses in 17th- and 18th-Century Bohemia and Moravia

Popis výsledku v původním jazyce

The paper presents results of the first comprehensive analysis of the reception of Ovid’s Metamorphoses in Baroque art in Bohemia and Moravia. First aspects of the reception relate to the referentiality that is one of the essential characteristics of Baroque art in Central Europe, where various influences from both neighbouring and more distant regions intersect. Artists mainly used popular illustrated editions of the Metamorphoses: cycles by V. Solis, H. Goltzius, C. de Passe, A. Tempesta, J. W. Baur, and engravings from the 1676 Paris edition or the 1677 Brussels edition. Nevertheless, the receptive character of these works of art cannot be understood as a result of lack of artistic invention but it is quite often strongly rooted in the patrons’ requirements, as some preserved archive sources confirm. The article also tries to trace the popularity of editions among artists and patrons through the research of inheritance inventories of patrons and painters. The importance of Ovid’s works is also demonstrated on one of the most striking examples, the only existing early modern translation of full text of Metamorphoses to Czech language.

Název v anglickém jazyce

Ovid’s Metamorphoses in 17th- and 18th-Century Bohemia and Moravia

Popis výsledku anglicky

The paper presents results of the first comprehensive analysis of the reception of Ovid’s Metamorphoses in Baroque art in Bohemia and Moravia. First aspects of the reception relate to the referentiality that is one of the essential characteristics of Baroque art in Central Europe, where various influences from both neighbouring and more distant regions intersect. Artists mainly used popular illustrated editions of the Metamorphoses: cycles by V. Solis, H. Goltzius, C. de Passe, A. Tempesta, J. W. Baur, and engravings from the 1676 Paris edition or the 1677 Brussels edition. Nevertheless, the receptive character of these works of art cannot be understood as a result of lack of artistic invention but it is quite often strongly rooted in the patrons’ requirements, as some preserved archive sources confirm. The article also tries to trace the popularity of editions among artists and patrons through the research of inheritance inventories of patrons and painters. The importance of Ovid’s works is also demonstrated on one of the most striking examples, the only existing early modern translation of full text of Metamorphoses to Czech language.

Druh

J_imp - Článek v periodiku v databázi Web of Science

CEP obor

—

OECD FORD obor

60401 - Arts, Art history

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2023

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Il capitale culturale. Studies on the Value of Cultural Heritage

ISSN

2039-2362

e-ISSN

2039-2362

Svazek periodika

2023

Číslo periodika v rámci svazku

Supplementi n. 15

Stát vydavatele periodika

IT - Italská republika

Počet stran výsledku

35

Strana od-do

377-411

Kód UT WoS článku

001157541300006

EID výsledku v databázi Scopus

2-s2.0-85185975668