Teaching (with) Postwar Cinema : Fostering Media Education and Transnational Historical Thinking through Non-fiction Film Heritage

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F24%3A00137866" target="_blank" >RIV/00216224:14210/24:00137866 - isvavai.cz</a>

Výsledek na webu

<a href="http://dx.doi.org/10.2307/jj.20367933.27" target="_blank" >http://dx.doi.org/10.2307/jj.20367933.27</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.2307/jj.20367933.27" target="_blank" >10.2307/jj.20367933.27</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Teaching (with) Postwar Cinema : Fostering Media Education and Transnational Historical Thinking through Non-fiction Film Heritage

Popis výsledku v původním jazyce

After WWII, cinema was everywhere: in movie theatres, public squares, factories, schools, trial courts, trains, museums, and political meetings. Seen today, documentaries and newsreels, as well as the amateur production, show the kaleidoscopic portrait of a changing Europe. How did these cinematic images contribute to shaping the new societies emerging from the ashes of war, both in the Western and in the Eastern bloc? Why were they so crucial in framing and regulating new places and practices, political systems, economic dynamics, educational frameworks, and memory communities? This edited volume explores the multiple ways nonfiction cinema reconfigured public spaces, collective participation, democratisation, and governmentality between 1944 and 1956. Looking back at it through a transnational perspective and the critical category of spatiality, nonfiction cinema appears in a new light: simultaneously as a specifically situated and as a highly mobile medium, it was a fundamental agent in reshaping Europe’s shared identity and culture in a defining decade.

Název v anglickém jazyce

Teaching (with) Postwar Cinema : Fostering Media Education and Transnational Historical Thinking through Non-fiction Film Heritage

Popis výsledku anglicky

After WWII, cinema was everywhere: in movie theatres, public squares, factories, schools, trial courts, trains, museums, and political meetings. Seen today, documentaries and newsreels, as well as the amateur production, show the kaleidoscopic portrait of a changing Europe. How did these cinematic images contribute to shaping the new societies emerging from the ashes of war, both in the Western and in the Eastern bloc? Why were they so crucial in framing and regulating new places and practices, political systems, economic dynamics, educational frameworks, and memory communities? This edited volume explores the multiple ways nonfiction cinema reconfigured public spaces, collective participation, democratisation, and governmentality between 1944 and 1956. Looking back at it through a transnational perspective and the critical category of spatiality, nonfiction cinema appears in a new light: simultaneously as a specifically situated and as a highly mobile medium, it was a fundamental agent in reshaping Europe’s shared identity and culture in a defining decade.

Druh

C - Kapitola v odborné knize

CEP obor

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OECD FORD obor

60101 - History (history of science and technology to be 6.3, history of specific sciences to be under the respective headings)

Projekt

—

Návaznosti

R - Projekt Ramcoveho programu EK

Rok uplatnění

2024

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

Non-Fiction Cinema in Postwar Europe : Visual Culture and the Reconstruction of Public Space

ISBN

9789463725583

Počet stran výsledku

20

Strana od-do

447-466

Počet stran knihy

518

Název nakladatele

Amsterdam University Press

Místo vydání

Amsterdam

Kód UT WoS kapitoly

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