AVREA CONCISIS SVRGIT PICTVRA METALLIS : An Epistemological and Methodological Approximation of Early Christian Multimedia Visuality

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F24%3A00138054" target="_blank" >RIV/00216224:14210/24:00138054 - isvavai.cz</a>

Výsledek na webu

<a href="https://books.ub.uni-heidelberg.de/propylaeum/catalog/book/1481/chapter/21249" target="_blank" >https://books.ub.uni-heidelberg.de/propylaeum/catalog/book/1481/chapter/21249</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.11588/propylaeum.1481.c21249" target="_blank" >10.11588/propylaeum.1481.c21249</a>

Jazyk výsledku

angličtina

Název v původním jazyce

AVREA CONCISIS SVRGIT PICTVRA METALLIS : An Epistemological and Methodological Approximation of Early Christian Multimedia Visuality

Popis výsledku v původním jazyce

One of the key instruments in the process of the Christianization of the Roman Empire was the visual arts. Shining images of Christ, the Virgin Mary, the Apostles, and other biblical figures, martyr saints, and bishops, produced in mosaic and located at prominent places in early Christian churches, were frequently accompanied by impressive monumental inscriptions. Based on selected case studies from late antique Rome (4th–7th cent.), this interdisciplinary paper aims to delineate a path to a comprehensive understanding of such multimedia aesthetics, based on the multilayered and synergic relationship between text-as-image and image-proper with an implicit bearing on the Word made flesh rhetoric (Jo. 1, 1 – 14). Combining theoretical perspectives from art history and classical philology, the authors wish to reveal how these visual schemes containing classical echoes in both form and content may convey different meanings depending on the cognitive background of those who are looking.

Název v anglickém jazyce

AVREA CONCISIS SVRGIT PICTVRA METALLIS : An Epistemological and Methodological Approximation of Early Christian Multimedia Visuality

Popis výsledku anglicky

One of the key instruments in the process of the Christianization of the Roman Empire was the visual arts. Shining images of Christ, the Virgin Mary, the Apostles, and other biblical figures, martyr saints, and bishops, produced in mosaic and located at prominent places in early Christian churches, were frequently accompanied by impressive monumental inscriptions. Based on selected case studies from late antique Rome (4th–7th cent.), this interdisciplinary paper aims to delineate a path to a comprehensive understanding of such multimedia aesthetics, based on the multilayered and synergic relationship between text-as-image and image-proper with an implicit bearing on the Word made flesh rhetoric (Jo. 1, 1 – 14). Combining theoretical perspectives from art history and classical philology, the authors wish to reveal how these visual schemes containing classical echoes in both form and content may convey different meanings depending on the cognitive background of those who are looking.

Druh

C - Kapitola v odborné knize

CEP obor

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OECD FORD obor

60401 - Arts, Art history

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2024

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

A Second Gaze : Intertextuality and Transient Meaning in Roman Texts and Objects

ISBN

9783969293751

Počet stran výsledku

39

Strana od-do

179-217

Počet stran knihy

440

Název nakladatele

Propylaeum

Místo vydání

Heidelberg

Kód UT WoS kapitoly

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