Network, Timeline, Map : Cinema History Visualisation for Web Application

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F24%3A00139844" target="_blank" >RIV/00216224:14210/24:00139844 - isvavai.cz</a>

Výsledek na webu

<a href="https://doity.com.br/homer-conference-2024?lang=en&fbclid=IwY2xjawIbMyVleHRuA2FlbQIxMQABHUgkABg2nkr5AJrWRp6oXX24F40mGs5_oX67r7x7ERdltLCUMRjSSA3yAA_aem_wxYOeOvEZRYCnrDqm2jnBA" target="_blank" >https://doity.com.br/homer-conference-2024?lang=en&fbclid=IwY2xjawIbMyVleHRuA2FlbQIxMQABHUgkABg2nkr5AJrWRp6oXX24F40mGs5_oX67r7x7ERdltLCUMRjSSA3yAA_aem_wxYOeOvEZRYCnrDqm2jnBA</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Network, Timeline, Map : Cinema History Visualisation for Web Application

Popis výsledku v původním jazyce

The application provides a decentralized perspective on the dense web of ties untangled around film production-, distribution-, or screenings-related agency. The project raised essential issues that had to be „solved“, and which are always open for farther exploration: what kind of data are we able collect and present? What kind (and amount) of ties can we (re)construct between the data? How far it is necessary – and beneficial – to structure and filter the available data? Presentation of data as a network, in contrast to the timeline view, imposes an achronological perspective that ignores the issues of succession and „influence“: with many drawbacks, as well as with plenty of beneficial effects. While the timeline provides a tool for a macro-perspective on the film studio and its history, it is the unlimited network of ties which presents an alternative to descriptive and statistical use of databases claiming “completeness” of data. Such “methodological un-methodicalness” open the door for a microhistory of cinema culture-related agency.

Název v anglickém jazyce

Network, Timeline, Map : Cinema History Visualisation for Web Application

Popis výsledku anglicky

The application provides a decentralized perspective on the dense web of ties untangled around film production-, distribution-, or screenings-related agency. The project raised essential issues that had to be „solved“, and which are always open for farther exploration: what kind of data are we able collect and present? What kind (and amount) of ties can we (re)construct between the data? How far it is necessary – and beneficial – to structure and filter the available data? Presentation of data as a network, in contrast to the timeline view, imposes an achronological perspective that ignores the issues of succession and „influence“: with many drawbacks, as well as with plenty of beneficial effects. While the timeline provides a tool for a macro-perspective on the film studio and its history, it is the unlimited network of ties which presents an alternative to descriptive and statistical use of databases claiming “completeness” of data. Such “methodological un-methodicalness” open the door for a microhistory of cinema culture-related agency.

Druh

O - Ostatní výsledky

CEP obor

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OECD FORD obor

60405 - Studies on Film, Radio and Television

Projekt

<a href="/cs/project/TL03000103" target="_blank" >TL03000103: Relační databáze, mapové projekce a vizualizace dat pro účely propagace, vzdělávání a podpory turismu - realizace na příkladu zlínské filmové kultury</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2024

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů