For an Iconology of the Emotions : A Warburgian Reading of Poliziano’s Stanze per la giostra

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F25%3A00141028" target="_blank" >RIV/00216224:14210/25:00141028 - isvavai.cz</a>

Výsledek na webu

<a href="https://doi.org/10.5325/mediterraneanstu.33.1.0003" target="_blank" >https://doi.org/10.5325/mediterraneanstu.33.1.0003</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.5325/mediterraneanstu.33.1.0003" target="_blank" >10.5325/mediterraneanstu.33.1.0003</a>

Jazyk výsledku

angličtina

Název v původním jazyce

For an Iconology of the Emotions : A Warburgian Reading of Poliziano’s Stanze per la giostra

Popis výsledku v původním jazyce

What is the relationship between image and text? Can we conceive of continuity between a visual image and a mental one? Is there an “opsis,” or a distinct category to frame the visuality within texts as a phenomenon of imagery? Furthermore, what epistemological role might this concept play in the comparative analysis of cultures, especially in the Mediterranean, a region marked by extensive intercultural exchanges and influences? This article proposes to approach these questions by applying Aby Warburg’s semiotic-cognitive theory to a reading of Angelo Poliziano’s poem of 1478. Central to Warburg’s approach is the concept of the pathosformel, the emotional formulas that elicit emotional responses to artworks and evoke and produce cultural memory. Poliziano’s poem lends itself well to a reading through this concept. Its publication opened its engagement with multiple forms of Renaissance visualities, or performances, including jousting festivals, Italian garden design, and Greek-inspired art forms adapted from fifteenth-century Florentine culture, offering a rich site for examining Warburg’s pathosformel in action at the intersections of visual and literary arts.

Název v anglickém jazyce

For an Iconology of the Emotions : A Warburgian Reading of Poliziano’s Stanze per la giostra

Popis výsledku anglicky

What is the relationship between image and text? Can we conceive of continuity between a visual image and a mental one? Is there an “opsis,” or a distinct category to frame the visuality within texts as a phenomenon of imagery? Furthermore, what epistemological role might this concept play in the comparative analysis of cultures, especially in the Mediterranean, a region marked by extensive intercultural exchanges and influences? This article proposes to approach these questions by applying Aby Warburg’s semiotic-cognitive theory to a reading of Angelo Poliziano’s poem of 1478. Central to Warburg’s approach is the concept of the pathosformel, the emotional formulas that elicit emotional responses to artworks and evoke and produce cultural memory. Poliziano’s poem lends itself well to a reading through this concept. Its publication opened its engagement with multiple forms of Renaissance visualities, or performances, including jousting festivals, Italian garden design, and Greek-inspired art forms adapted from fifteenth-century Florentine culture, offering a rich site for examining Warburg’s pathosformel in action at the intersections of visual and literary arts.

Druh

J_imp - Článek v periodiku v databázi Web of Science

CEP obor

—

OECD FORD obor

60205 - Literary theory

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2025

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

MEDITERRANEAN STUDIES

ISSN

1074-164X

e-ISSN

2161-4741

Svazek periodika

33

Číslo periodika v rámci svazku

1

Stát vydavatele periodika

US - Spojené státy americké

Počet stran výsledku

24

Strana od-do

3-26

Kód UT WoS článku

001498002000002

EID výsledku v databázi Scopus

999