The Clash of Sino-Tibetan Propaganda On-screen : A Case Study of Tibetan Exile Movie Theatre

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F25%3A00144340" target="_blank" >RIV/00216224:14210/25:00144340 - isvavai.cz</a>

Výsledek na webu

<a href="https://iluminace.cz/artkey/ilu-202501-0003_the-clash-of-sino-tibetan-propaganda-on-screen-a-case-study-of-tibetan-exile-movie-theatre.php" target="_blank" >https://iluminace.cz/artkey/ilu-202501-0003_the-clash-of-sino-tibetan-propaganda-on-screen-a-case-study-of-tibetan-exile-movie-theatre.php</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.58193/ilu.1804" target="_blank" >10.58193/ilu.1804</a>

Jazyk výsledku

angličtina

Název v původním jazyce

The Clash of Sino-Tibetan Propaganda On-screen : A Case Study of Tibetan Exile Movie Theatre

Popis výsledku v původním jazyce

Different self-presentation strategies constantly compete on the battlefield between two propagandas using various media - documentary films and docudramas are among the most used persuasive tools to convey and disseminate a specific worldview through the mediation of selected information and analysis. The target audience of the films is influenced by techniques to maximize the effect of propaganda, including the emphasis on the credibility of the information conveyed, specific truth claims concerning the topic discussed, and, finally, the very nature of the visual message itself, which gives the impression of an authentic depiction of reality. Based on previous research on self-presentation strategies and an analysis of the propaganda of the Tibet Museum in Dharamsala, India (which is under the direct supervision of the Central Tibetan Administration [CTA] and the Dalai Lama), this case study focuses on the movie theatre located in the mentioned institution and the films screened daily. Through a discourse analysis of the documentaries and docudramas that the CTA has selected for their cinema, this paper aims to explore the preferred narrative perspectives on the history of Sino-Tibetan relations and other motives, like oppression and destruction of Tibet, environmental and human rights issues or the role of the 14th Dalai Lama and Tibetan Buddhism.

Název v anglickém jazyce

The Clash of Sino-Tibetan Propaganda On-screen : A Case Study of Tibetan Exile Movie Theatre

Popis výsledku anglicky

Different self-presentation strategies constantly compete on the battlefield between two propagandas using various media - documentary films and docudramas are among the most used persuasive tools to convey and disseminate a specific worldview through the mediation of selected information and analysis. The target audience of the films is influenced by techniques to maximize the effect of propaganda, including the emphasis on the credibility of the information conveyed, specific truth claims concerning the topic discussed, and, finally, the very nature of the visual message itself, which gives the impression of an authentic depiction of reality. Based on previous research on self-presentation strategies and an analysis of the propaganda of the Tibet Museum in Dharamsala, India (which is under the direct supervision of the Central Tibetan Administration [CTA] and the Dalai Lama), this case study focuses on the movie theatre located in the mentioned institution and the films screened daily. Through a discourse analysis of the documentaries and docudramas that the CTA has selected for their cinema, this paper aims to explore the preferred narrative perspectives on the history of Sino-Tibetan relations and other motives, like oppression and destruction of Tibet, environmental and human rights issues or the role of the 14th Dalai Lama and Tibetan Buddhism.

Druh

J_SC - Článek v periodiku v databázi SCOPUS

CEP obor

—

OECD FORD obor

60304 - Religious studies

Projekt

<a href="/cs/project/GA23-06406S" target="_blank" >GA23-06406S: Reprezentace a role tibetského buddhismu v narativech o Tibetu od roku 1950 do současnosti</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2025

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Iluminace

ISSN

0862-397X

e-ISSN

2570-9267

Svazek periodika

37

Číslo periodika v rámci svazku

1

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

21

Strana od-do

27-47

Kód UT WoS článku

—

EID výsledku v databázi Scopus

2-s2.0-105008476279