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Jokhang's Bathing Maitreya : The Story of an Unknown Statue and its Photographs

Identifikátory výsledku

  • Kód výsledku v IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F25%3A00144588" target="_blank" >RIV/00216224:14210/25:00144588 - isvavai.cz</a>

  • Výsledek na webu

    <a href="https://hdl.handle.net/11222.digilib/digilib.83221" target="_blank" >https://hdl.handle.net/11222.digilib/digilib.83221</a>

  • DOI - Digital Object Identifier

    <a href="http://dx.doi.org/10.5817/Rel2025-42084" target="_blank" >10.5817/Rel2025-42084</a>

Alternativní jazyky

  • Jazyk výsledku

    angličtina

  • Název v původním jazyce

    Jokhang's Bathing Maitreya : The Story of an Unknown Statue and its Photographs

  • Popis výsledku v původním jazyce

    The paper deals with one statue, located in the most sacred Tibetan Buddhist temple Jokhang in Lhasa, bearing the somewhat mysterious name of Bathing Maitreya. The 11th century statue is depicted in just two photographs and disappeared during the so-called Cultural Revolution in 1966. The first black and white photograph is by Ernst Krause from 1939, the second is in colour by Josef Vaniš from 1954. The paper places both photographs in their proper historical, religious and factual context. For the first time it publishes one of them, the Vaniš one, in its entirety, i.e. uncut, and correctly located and described. And for the second photograph, Krause's, the paper correctly identifies for the first time what it depicts. It is thus a visual reconstruction of a unique Tibetan statue, a replica of which is now in Lhasa in the same place as the original. The paper deals with one statue, located in the most sacred Tibetan Buddhist temple Jokhang in Lhasa, bearing the somewhat mysterious name of Bathing Maitreya. The 11th century statue is depicted in just two photographs and disappeared during the so-called Cultural Revolution in 1966. The first black and white photograph is by Ernst Krause from 1939, the second is in colour by Josef Vaniš from 1954. The paper places both photographs in their proper historical, religious and factual context. For the first time it publishes one of them, the Vaniš one, in its entirety, i.e. uncut, and correctly located and described. And for the second photograph, Krause's, the paper correctly identifies for the first time what it depicts. It is thus a visual reconstruction of a unique Tibetan statue, a replica of which is now in Lhasa in the same place as the original. The paper deals with one statue, located in the most sacred Tibetan Buddhist temple Jokhang in Lhasa, bearing the somewhat mysterious name of Bathing Maitreya. The 11th century statue is depicted in just two photographs and disappeared during the so-called Cultural Revolution in 1966. The first black and white photograph is by Ernst Krause from 1939, the second is in colour by Josef Vaniš from 1954. The paper places both photographs in their proper historical, religious and factual context. For the first time it publishes one of them, the Vaniš one, in its entirety, i.e. uncut, and correctly located and described. And for the second photograph, Krause's, the paper correctly identifies for the first time what it depicts. It is thus a visual reconstruction of a unique Tibetan statue, a replica of which is now in Lhasa in the same place as the original. The paper deals with one statue, located in the most sacred Tibetan Buddhist temple Jokhang in Lhasa, bearing the somewhat mysterious name of Bathing Maitreya. The 11th century statue is depicted in just two photographs and disappeared during the so-called Cultural Revolution in 1966. The first black and white photograph is by Ernst Krause from 1939, the second is in colour by Josef Vaniš from 1954. The paper places both photographs in their proper historical, religious and factual context. For the first time it publishes one of them, the Vaniš one, in its entirety, i.e. uncut, and correctly located and described. And for the second photograph, Krause's, the paper correctly identifies for the first time what it depicts. It is thus a visual reconstruction of a unique Tibetan statue, a replica of which is now in Lhasa in the same place as the original.

  • Název v anglickém jazyce

    Jokhang's Bathing Maitreya : The Story of an Unknown Statue and its Photographs

  • Popis výsledku anglicky

    The paper deals with one statue, located in the most sacred Tibetan Buddhist temple Jokhang in Lhasa, bearing the somewhat mysterious name of Bathing Maitreya. The 11th century statue is depicted in just two photographs and disappeared during the so-called Cultural Revolution in 1966. The first black and white photograph is by Ernst Krause from 1939, the second is in colour by Josef Vaniš from 1954. The paper places both photographs in their proper historical, religious and factual context. For the first time it publishes one of them, the Vaniš one, in its entirety, i.e. uncut, and correctly located and described. And for the second photograph, Krause's, the paper correctly identifies for the first time what it depicts. It is thus a visual reconstruction of a unique Tibetan statue, a replica of which is now in Lhasa in the same place as the original. The paper deals with one statue, located in the most sacred Tibetan Buddhist temple Jokhang in Lhasa, bearing the somewhat mysterious name of Bathing Maitreya. The 11th century statue is depicted in just two photographs and disappeared during the so-called Cultural Revolution in 1966. The first black and white photograph is by Ernst Krause from 1939, the second is in colour by Josef Vaniš from 1954. The paper places both photographs in their proper historical, religious and factual context. For the first time it publishes one of them, the Vaniš one, in its entirety, i.e. uncut, and correctly located and described. And for the second photograph, Krause's, the paper correctly identifies for the first time what it depicts. It is thus a visual reconstruction of a unique Tibetan statue, a replica of which is now in Lhasa in the same place as the original. The paper deals with one statue, located in the most sacred Tibetan Buddhist temple Jokhang in Lhasa, bearing the somewhat mysterious name of Bathing Maitreya. The 11th century statue is depicted in just two photographs and disappeared during the so-called Cultural Revolution in 1966. The first black and white photograph is by Ernst Krause from 1939, the second is in colour by Josef Vaniš from 1954. The paper places both photographs in their proper historical, religious and factual context. For the first time it publishes one of them, the Vaniš one, in its entirety, i.e. uncut, and correctly located and described. And for the second photograph, Krause's, the paper correctly identifies for the first time what it depicts. It is thus a visual reconstruction of a unique Tibetan statue, a replica of which is now in Lhasa in the same place as the original. The paper deals with one statue, located in the most sacred Tibetan Buddhist temple Jokhang in Lhasa, bearing the somewhat mysterious name of Bathing Maitreya. The 11th century statue is depicted in just two photographs and disappeared during the so-called Cultural Revolution in 1966. The first black and white photograph is by Ernst Krause from 1939, the second is in colour by Josef Vaniš from 1954. The paper places both photographs in their proper historical, religious and factual context. For the first time it publishes one of them, the Vaniš one, in its entirety, i.e. uncut, and correctly located and described. And for the second photograph, Krause's, the paper correctly identifies for the first time what it depicts. It is thus a visual reconstruction of a unique Tibetan statue, a replica of which is now in Lhasa in the same place as the original.

Klasifikace

  • Druh

    J<sub>SC</sub> - Článek v periodiku v databázi SCOPUS

  • CEP obor

  • OECD FORD obor

    60304 - Religious studies

Návaznosti výsledku

  • Projekt

    <a href="/cs/project/GA23-06406S" target="_blank" >GA23-06406S: Reprezentace a role tibetského buddhismu v narativech o Tibetu od roku 1950 do současnosti</a><br>

  • Návaznosti

    P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Ostatní

  • Rok uplatnění

    2025

  • Kód důvěrnosti údajů

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Údaje specifické pro druh výsledku

  • Název periodika

    Religio

  • ISSN

    1210-3640

  • e-ISSN

    2336-4475

  • Svazek periodika

    33

  • Číslo periodika v rámci svazku

    2

  • Stát vydavatele periodika

    CZ - Česká republika

  • Počet stran výsledku

    26

  • Strana od-do

    193-218

  • Kód UT WoS článku

  • EID výsledku v databázi Scopus

    999