The origins of the aesthetic appreciation and artistic depiction of the industrial landscape

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14230%2F21%3A00120639" target="_blank" >RIV/00216224:14230/21:00120639 - isvavai.cz</a>

Nalezeny alternativní kódy

RIV/60076658:12210/20:43901556

Výsledek na webu

<a href="https://www.tandfonline.com/doi/full/10.1080/1743873X.2020.1778009" target="_blank" >https://www.tandfonline.com/doi/full/10.1080/1743873X.2020.1778009</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.1080/1743873X.2020.1778009" target="_blank" >10.1080/1743873X.2020.1778009</a>

Jazyk výsledku

angličtina

Název v původním jazyce

The origins of the aesthetic appreciation and artistic depiction of the industrial landscape

Popis výsledku v původním jazyce

This article presents a historical survey of aesthetic attitudes towards industrial landscapes and industrial sites, such as factories and mines, from the late seventeenth to the nineteenth centuries. It further seeks to show that the ambivalent attitude, widespread since the 1960s to the present day, partly rejecting these landscapes and sites as aesthetically third-rate, partly appreciating them (as did many members of the Avant-garde in the early twentieth century), was in fact already becoming established in varied attitudes at the beginning of the industrial age. The paper argues for a more diversified approach to the period, one that is influenced by Classicism, the Picturesque, and Romantic aesthetics, reflecting the full range of attitudes towards industrial landscapes, from dislike and disgust to positive aesthetic appreciation. Surprisingly, the range of reactions commonly included indifference. The article analyses and compares travel writing, fiction, and works of visual art, mainly those originating in Britain and Central Europe in the period under consideration.

Název v anglickém jazyce

The origins of the aesthetic appreciation and artistic depiction of the industrial landscape

Popis výsledku anglicky

This article presents a historical survey of aesthetic attitudes towards industrial landscapes and industrial sites, such as factories and mines, from the late seventeenth to the nineteenth centuries. It further seeks to show that the ambivalent attitude, widespread since the 1960s to the present day, partly rejecting these landscapes and sites as aesthetically third-rate, partly appreciating them (as did many members of the Avant-garde in the early twentieth century), was in fact already becoming established in varied attitudes at the beginning of the industrial age. The paper argues for a more diversified approach to the period, one that is influenced by Classicism, the Picturesque, and Romantic aesthetics, reflecting the full range of attitudes towards industrial landscapes, from dislike and disgust to positive aesthetic appreciation. Surprisingly, the range of reactions commonly included indifference. The article analyses and compares travel writing, fiction, and works of visual art, mainly those originating in Britain and Central Europe in the period under consideration.

Druh

J_SC - Článek v periodiku v databázi SCOPUS

CEP obor

—

OECD FORD obor

60101 - History (history of science and technology to be 6.3, history of specific sciences to be under the respective headings)

Projekt

—

Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2021

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Journal of Heritage Tourism

ISSN

1743-873X

e-ISSN

1747-6631

Svazek periodika

16

Číslo periodika v rámci svazku

2

Stát vydavatele periodika

GB - Spojené království Velké Británie a Severního Irska

Počet stran výsledku

13

Strana od-do

151-163

Kód UT WoS článku

000549314600001

EID výsledku v databázi Scopus

2-s2.0-85087345665