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Techniky a technologie na kompenzaci bezmoci

Identifikátory výsledku

  • Kód výsledku v IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216305%3A26420%2F24%3APU155385" target="_blank" >RIV/00216305:26420/24:PU155385 - isvavai.cz</a>

  • Výsledek na webu

    <a href="https://iluminace.cz/artkey/ilu-202402-0004_techniques-and-technologies-to-compensate-for-powerlessness.php" target="_blank" >https://iluminace.cz/artkey/ilu-202402-0004_techniques-and-technologies-to-compensate-for-powerlessness.php</a>

  • DOI - Digital Object Identifier

    <a href="http://dx.doi.org/10.58193/ilu.1782" target="_blank" >10.58193/ilu.1782</a>

Alternativní jazyky

  • Jazyk výsledku

    čeština

  • Název v původním jazyce

    Techniky a technologie na kompenzaci bezmoci

  • Popis výsledku v původním jazyce

    The video essay Techniques and Technologies to Compensate for Powerlessness is an artistic research output that exemplifies Matěj Pavlík’s approach to historiography, developed through individual projects and interdisciplinary collaborations. Pavlík’s work often focuses on a reflexive approach to fiction, speculation, or myth-making. In this essay, the artist examines the role of borderline science technologies invented in late socialist Czechoslovakia. These technologies (e.g., telesthesia, healing, and locating geopathogenic zones) were linked to research in borderline scientific fields like psychotronics and psychoenergetics. The artist critically analyzes these technologies, highlighting their socio- political and economic contexts. Pavlík suggests that these technologies were responses to the specific crises of high modernity, compensating for feelings of alienation or powerlessness. How can we grasp these techniques and technologies in the present? He hypothesizes that the emergence and proliferation of these borderline scientific practices, particularly healing, in late socialist Czechoslovakia might reflect the era’s disillusionment and the failure of Marxist ideals of emancipation. The attempt to treat individuals and the public space at the hands of the late socialist healer may thus have been a way to individualize social risks and harms. Throughout the video essay, Pavlík argues that the institutionalization of these „wondrous“ techniques and technologies was an attempt to inhabit and adapt to the so-called pharmakon of late modernity: the poison and cure called the Scientific and Technological Revolution.

  • Název v anglickém jazyce

    Techniques and Technologies to Compensate for Powerlessness

  • Popis výsledku anglicky

    The video essay Techniques and Technologies to Compensate for Powerlessness is an artistic research output that exemplifies Matěj Pavlík’s approach to historiography, developed through individual projects and interdisciplinary collaborations. Pavlík’s work often focuses on a reflexive approach to fiction, speculation, or myth-making. In this essay, the artist examines the role of borderline science technologies invented in late socialist Czechoslovakia. These technologies (e.g., telesthesia, healing, and locating geopathogenic zones) were linked to research in borderline scientific fields like psychotronics and psychoenergetics. The artist critically analyzes these technologies, highlighting their socio- political and economic contexts. Pavlík suggests that these technologies were responses to the specific crises of high modernity, compensating for feelings of alienation or powerlessness. How can we grasp these techniques and technologies in the present? He hypothesizes that the emergence and proliferation of these borderline scientific practices, particularly healing, in late socialist Czechoslovakia might reflect the era’s disillusionment and the failure of Marxist ideals of emancipation. The attempt to treat individuals and the public space at the hands of the late socialist healer may thus have been a way to individualize social risks and harms. Throughout the video essay, Pavlík argues that the institutionalization of these „wondrous“ techniques and technologies was an attempt to inhabit and adapt to the so-called pharmakon of late modernity: the poison and cure called the Scientific and Technological Revolution.

Klasifikace

  • Druh

    J<sub>SC</sub> - Článek v periodiku v databázi SCOPUS

  • CEP obor

  • OECD FORD obor

    60400 - Arts (arts, history of arts, performing arts, music)

Návaznosti výsledku

  • Projekt

  • Návaznosti

    S - Specificky vyzkum na vysokych skolach

Ostatní

  • Rok uplatnění

    2024

  • Kód důvěrnosti údajů

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Údaje specifické pro druh výsledku

  • Název periodika

    Iluminace. Časopis pro teorii, historii a estetiku filmu

  • ISSN

    0862-397X

  • e-ISSN

  • Svazek periodika

    neuveden

  • Číslo periodika v rámci svazku

    36

  • Stát vydavatele periodika

    CZ - Česká republika

  • Počet stran výsledku

    7

  • Strana od-do

    71-78

  • Kód UT WoS článku

  • EID výsledku v databázi Scopus

    2-s2.0-85211349942