Rhythm and Entropy: Territorial Repetition in Gilles Deleuze and Josef Jedlicka
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F26482789%3A_____%2F25%3A10152811" target="_blank" >RIV/26482789:_____/25:10152811 - isvavai.cz</a>
Výsledek na webu
<a href="https://www.euppublishing.com/doi/epdf/10.3366/dlgs.2025.0581" target="_blank" >https://www.euppublishing.com/doi/epdf/10.3366/dlgs.2025.0581</a>
DOI - Digital Object Identifier
<a href="http://dx.doi.org/10.3366/dlgs.2025.0581" target="_blank" >10.3366/dlgs.2025.0581</a>
Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
Rhythm and Entropy: Territorial Repetition in Gilles Deleuze and Josef Jedlicka
Popis výsledku v původním jazyce
This paper focuses on the work of Czech aesthetician and ethnologist Josef Jedlivcka who describes ornament as a product of territorial rule. In his book The Ornament, Jedlicka addresses the problem of ideological control of territorial repetition as an emergence of entropy. To understand Jedlivcka's claims of entropic repetition, I propose introducing it in dialogue with Deleuze's conception of repetition, in which differentiation is not an external but an internal rule of repetition. I argue that Jedlivcka's conception of ornament as an externally imposed rule of senseless layering of imposed patterns allows us to understand the risk of social disconnection. In contrast, Deleuze's account of territorial repetition as a production of erotic rhythm is based on the internal rule of differentiation, which allows us to see social connection as an ongoing variation assembled by desire. The philosophical consequences of these different approaches to repetition are further examined in their divergent readings of Franz Kafka's work.
Název v anglickém jazyce
Rhythm and Entropy: Territorial Repetition in Gilles Deleuze and Josef Jedlicka
Popis výsledku anglicky
This paper focuses on the work of Czech aesthetician and ethnologist Josef Jedlivcka who describes ornament as a product of territorial rule. In his book The Ornament, Jedlicka addresses the problem of ideological control of territorial repetition as an emergence of entropy. To understand Jedlivcka's claims of entropic repetition, I propose introducing it in dialogue with Deleuze's conception of repetition, in which differentiation is not an external but an internal rule of repetition. I argue that Jedlivcka's conception of ornament as an externally imposed rule of senseless layering of imposed patterns allows us to understand the risk of social disconnection. In contrast, Deleuze's account of territorial repetition as a production of erotic rhythm is based on the internal rule of differentiation, which allows us to see social connection as an ongoing variation assembled by desire. The philosophical consequences of these different approaches to repetition are further examined in their divergent readings of Franz Kafka's work.
Klasifikace
Druh
J<sub>imp</sub> - Článek v periodiku v databázi Web of Science
CEP obor
—
OECD FORD obor
60301 - Philosophy, History and Philosophy of science and technology
Návaznosti výsledku
Projekt
<a href="/cs/project/GA23-06827S" target="_blank" >GA23-06827S: Ornament: estetika, politika a metafyzika opakování</a><br>
Návaznosti
P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)
Ostatní
Rok uplatnění
2025
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Údaje specifické pro druh výsledku
Název periodika
Deleuze and Guattari Studies
ISSN
2398-9777
e-ISSN
2398-9785
Svazek periodika
19
Číslo periodika v rámci svazku
1
Stát vydavatele periodika
GB - Spojené království Velké Británie a Severního Irska
Počet stran výsledku
13
Strana od-do
72-85
Kód UT WoS článku
001449841300005
EID výsledku v databázi Scopus
2-s2.0-85219022092