Composing and Decomposing: A Deleuzian Account of Ornamental Repetition
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F26482789%3A_____%2F25%3A10152897" target="_blank" >RIV/26482789:_____/25:10152897 - isvavai.cz</a>
Výsledek na webu
<a href="https://www.euppublishing.com/doi/abs/10.3366/dlgs.2025.0582?journalCode=dlgs" target="_blank" >https://www.euppublishing.com/doi/abs/10.3366/dlgs.2025.0582?journalCode=dlgs</a>
DOI - Digital Object Identifier
<a href="http://dx.doi.org/10.3366/dlgs.2025.0582" target="_blank" >10.3366/dlgs.2025.0582</a>
Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
Composing and Decomposing: A Deleuzian Account of Ornamental Repetition
Popis výsledku v původním jazyce
Based on Deleuze's understanding of creative productivity as an expression of one's mental desiring-machine, the paper proposes an innovative insight into the ambiguous - constructive and destructive - human need to repeat. To philosophically grasp the aesthetic and material results of such repetitive activity, I propose to complete the Deleuzian concept of assemblage with the concept of ornament, defined as a material result of a repetitive mindset generating arrangements of regularly returning acts and items. I argue that Deleuze's immanent repetition generates two kinds of ornament: the individual one, such as a personal collection or an artistic style, and the social one, such as an avant-garde movement or subculture fashion. Both ornaments are explained through Deleuze's concepts of negative and relational deterritorialisation and are further defined by a new reading of Deleuze's revision of repetition in Freud and Nietzsche. Both kinds of immanent repetition produce ornamental compositions which are threatened by the danger of ornamental decomposition.
Název v anglickém jazyce
Composing and Decomposing: A Deleuzian Account of Ornamental Repetition
Popis výsledku anglicky
Based on Deleuze's understanding of creative productivity as an expression of one's mental desiring-machine, the paper proposes an innovative insight into the ambiguous - constructive and destructive - human need to repeat. To philosophically grasp the aesthetic and material results of such repetitive activity, I propose to complete the Deleuzian concept of assemblage with the concept of ornament, defined as a material result of a repetitive mindset generating arrangements of regularly returning acts and items. I argue that Deleuze's immanent repetition generates two kinds of ornament: the individual one, such as a personal collection or an artistic style, and the social one, such as an avant-garde movement or subculture fashion. Both ornaments are explained through Deleuze's concepts of negative and relational deterritorialisation and are further defined by a new reading of Deleuze's revision of repetition in Freud and Nietzsche. Both kinds of immanent repetition produce ornamental compositions which are threatened by the danger of ornamental decomposition.
Klasifikace
Druh
J<sub>imp</sub> - Článek v periodiku v databázi Web of Science
CEP obor
—
OECD FORD obor
60301 - Philosophy, History and Philosophy of science and technology
Návaznosti výsledku
Projekt
<a href="/cs/project/GA23-06827S" target="_blank" >GA23-06827S: Ornament: estetika, politika a metafyzika opakování</a><br>
Návaznosti
P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)
Ostatní
Rok uplatnění
2025
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Údaje specifické pro druh výsledku
Název periodika
DELEUZE AND GUATTARI STUDIES
ISSN
2398-9777
e-ISSN
2398-9785
Svazek periodika
19
Číslo periodika v rámci svazku
1
Stát vydavatele periodika
GB - Spojené království Velké Británie a Severního Irska
Počet stran výsledku
19
Strana od-do
86-104
Kód UT WoS článku
001449841300006
EID výsledku v databázi Scopus
2-s2.0-85219050785