Qualitative Research in the Artworld

Kód výsledku v IS VaVaI

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Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

slovinština

Název v původním jazyce

Kvalitatívny výskum vo svete umenia

Popis výsledku v původním jazyce

Vedecká monografia na príklade samostatných výskumov ukazuje uplatnenie rôznych kvalitatívnych metód na výskum vo svete umenia. Kniha začína popisom individuálnych a organizačných prediktorov úspešného vedeckého bádania, ako sú vytrvalosť, autoregulácia, psychologické bezpečie či pevná pracovná aliancia. Nasleduje popis vedeckého procesu od formulovania výskumných cieľov cez kladenie výskumných otázok až po výber vzorky. Jednotlivé metódy sú popísané v samostatných kapitolách. Metóda voľných asociácií je predstavená na výskume reprezentácií umelcov a umelkýň. Metóda hĺbkového fenomenologického interview je predstavená na príklade dvoch rozhovorov s umeleckými profesionálmi. Metódy autoetnografie, umeleckého výskumu (tzv. artistic research) a reflexívneho denníka sú predstavené na príklade reflexívneho záznamu návštevy galérie. Tematická analýza je predstavená na príklade analýzy televízneho dokumentárneho seriálu. Nasledujúca kapitola je venovaná rozšíreniu kvalitatívneho výskumu k výskumu kvantitatívnemu, diskutuje sa proces tvorby vedeckých hypotéz, keď je tematická analýza porovnaná s výsledkami korpusovej analýzy a multidimenzionálneho škálovania. Samostatná kapitola je venovaná publikačnému procesu, popisuje priebeh publikovania od výberu žurnálu cez recenzné konanie až po napísanie finálneho článku (či štúdie, knihy) vo formáte IMRaD. Záver knihy rozširuje popísané metódy k možnému budúcemu smerovaniu, predstavuje pokročilé nástroje kvalitatívnej i kvantitatívnej analýzy dát.

Název v anglickém jazyce

Qualitative Research in the Artworld

Popis výsledku anglicky

Artworld is a social universe of individuals and institutions related to art: artists, art-critics and curators, art-schools, galleries, grant agencies and organizations with an interest in creation, exhibition, reception or marketing of art. Research of the Artworld is therefore different from research of art itself. We do not focus on artworks as aesthetic objects anymore, but on social and institutional practice surrounding the art. For these reasons, instead of philosophy of art, we need to employ methods from different scientific fields: mostly anthropology and social psychology. And this is also the aim of the publication, Qualitative Research in the Artworld. In eight chapters, this book covers the range of current trends in qualitative re-search methodology and applies them to research of the world of art. Chapter One introduces scientific practices and acknowledges the professional challenges connected with making science, e.g. frustration, disappointment and burnout. For dealing with these difficulties, the chapter describes the individual and organizational preconditions required for accomplishing our scientific goals. For instance, scientists need to be gritty persons with proper self-regulation, and their workplace has to be psychologically safe in order to foster innovation and wellbeing. When these preconditions are fulfilled, we can then focus on qualitative research design. However, understanding the difference between qualitative and quantitative research is paramount to carrying out this step. Therefore, Chapter 2 discusses inductive (abductive) and deductive reasoning and describes the formulation of qualitative research goals and research questions and sample construction strategies. Knowing what, when, where and with whom we are going to do research, the next three chapters focus on different data collection methods. Utilizing a sample of Czech Art students, Chapter Three describes the method of free associations through research into social representation of &quot;art&quot;, &quot;female artist&quot; and &quot;male artist&quot;. An analysis revealed a stereotypical understanding of art as a male domain in both male and female participants. Meanwhile, Chapter Four describes the qualitative in-depth interview method. Along with practical, one curator/one artist interview examples, the chapter also discusses the common, yet epistemologically incorrect, understanding of a semi-structured interview as a qualitative tool. Chapter Five then discusses the most subtle current methods of qualitative research: autoethnography and artistic (arts-based) research. Autoethnography is a method in which one confronts their own personal experience with the world of scientific knowledge. As such, this method has strong potential in us understanding our own experiences with art creation and reception. On the other hand, artistic research is a method where knowledge is generated directly through art. As such, it is an especially suitable research lens for practicing artists or art-students. As a most convenient approach to personal experience reflection, Chapter Five also introduces the reflective diary method. The book then moves into the data analysis portion. Chapter Six addresses the thematic analysis method as a tool for analysing any kind of textual sources, e.g. free associations, interview transcripts, newspaper articles, movies, theatre plays, etc. The thematic analysis procedure is explained through an example, step-by-step analysis of the documentary series, Chef&apos;s table (2015-2019, sc. David Gelb) ultimately uncovering the mutual discursive roots of art and fine dining. Chapter Seven discusses the future direction of Artworld research, connecting qualitative and quantitative methodology. The first aim of the chapter is to show how new findings from qualitative research can be translated into testable hypotheses. The second aim is to present the usage of statistical methods in an explorative, i.e. qualitative, manner. As an example, the data from Chef&apos;s table thematic analysis are visualised using the method of multidimensional scaling (MDS). This analysis is then compared to the visualisation of corpus analysis data. Following the data analysis, the final step is publishing re-sults. Chapter Eight therefore describes writing of academic articles in IMRaD structure (Introduction, Methods and Discussion) and discusses some general attitudes towards article submission (e.g. selecting the proper scientific journal, journal metrics, article authorship). The book concludes with examples of interdisciplinary research in the Artworld, discussing the prospective benefits of combining different attitudes in our work.

Druh

B - Odborná kniha

CEP obor

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OECD FORD obor

60405 - Studies on Film, Radio and Television

Projekt

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Návaznosti

V - Vyzkumna aktivita podporovana z jinych verejnych zdroju

Rok uplatnění

2020

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

ISBN

978-80-224-1854-6

Počet stran knihy

216

Název nakladatele

Veda, vydavateľstvo Slovenskej akadémie vied

Místo vydání

Bratislava

Kód UT WoS knihy

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