The visual (photographic) literacy of an individual in public environment

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F44555601%3A13530%2F20%3A43896063" target="_blank" >RIV/44555601:13530/20:43896063 - isvavai.cz</a>

Výsledek na webu

<a href="https://owncloud.cesnet.cz/index.php/s/AhQxo6EnnniXU41" target="_blank" >https://owncloud.cesnet.cz/index.php/s/AhQxo6EnnniXU41</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

The visual (photographic) literacy of an individual in public environment

Popis výsledku v původním jazyce

The monograph &quot;Urban Visuality, Mobility, Information and Technology of Images&quot; focuses on contemporary problems of the architectural and urbanist environment from the point of view of social environmental psychology and theory. Authors of the subsequent chapters come from various countries (Poland, Czech Republic, Germany, United Kingdom, Italy, and Kenya) and together they present multiple evidences for the need of transcultural visual literacy in symbolic interactions in the urban sphere. The chapter &quot;The visual (photographic) literacy of an individual in public environment&quot; of Aleš Loziak deals with the following topic: In the Euro-American context, fine art in the public space has almost become a natural part of our lives. Even though the perceptions of old, modern, and contemporary art may be diametrically opposed, the perceptual attitude toward such visual work remains the same ? we know it is art and we are ready to perceive it. We understand that it is art and therefore our subsequent interpretation is defined by the boundaries of art. Photography is a medium commonly employed in the advertising industry, but it is also a distinct field of fine art. The language of photography is ambiguous and thus its interpretation in the context of the (public) space in which it is presented may be very different. Art in the public space strongly affects not only our aesthetic perception but also our socio-political beliefs. As a result, visual literacy seems to be a necessary requirement for every individual in our society. What kind of sway can a photograph prese

Název v anglickém jazyce

The visual (photographic) literacy of an individual in public environment

Popis výsledku anglicky

The monograph &quot;Urban Visuality, Mobility, Information and Technology of Images&quot; focuses on contemporary problems of the architectural and urbanist environment from the point of view of social environmental psychology and theory. Authors of the subsequent chapters come from various countries (Poland, Czech Republic, Germany, United Kingdom, Italy, and Kenya) and together they present multiple evidences for the need of transcultural visual literacy in symbolic interactions in the urban sphere. The chapter &quot;The visual (photographic) literacy of an individual in public environment&quot; of Aleš Loziak deals with the following topic: In the Euro-American context, fine art in the public space has almost become a natural part of our lives. Even though the perceptions of old, modern, and contemporary art may be diametrically opposed, the perceptual attitude toward such visual work remains the same ? we know it is art and we are ready to perceive it. We understand that it is art and therefore our subsequent interpretation is defined by the boundaries of art. Photography is a medium commonly employed in the advertising industry, but it is also a distinct field of fine art. The language of photography is ambiguous and thus its interpretation in the context of the (public) space in which it is presented may be very different. Art in the public space strongly affects not only our aesthetic perception but also our socio-political beliefs. As a result, visual literacy seems to be a necessary requirement for every individual in our society. What kind of sway can a photograph prese

Druh

C - Kapitola v odborné knize

CEP obor

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OECD FORD obor

60401 - Arts, Art history

Projekt

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Návaznosti

O - Projekt operacniho programu

Rok uplatnění

2020

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

Urban Visuality, Mobility, Information and Technology of Images

ISBN

978-83-955375-4-7

Počet stran výsledku

16

Strana od-do

217-232

Počet stran knihy

297

Název nakladatele

Wydawnictwo Akademii Sztuki w Szczecinie

Místo vydání

Szczecin

Kód UT WoS kapitoly

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