Issues of fidelity and authenticity in digital restoration of black-and-white films

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F47813059%3A19240%2F21%3AA0001121" target="_blank" >RIV/47813059:19240/21:A0001121 - isvavai.cz</a>

Výsledek na webu

<a href="https://library.imaging.org/archiving/articles/18/1/art00021" target="_blank" >https://library.imaging.org/archiving/articles/18/1/art00021</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.2352/issn.2168-3204.2021.1.0.21" target="_blank" >10.2352/issn.2168-3204.2021.1.0.21</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Issues of fidelity and authenticity in digital restoration of black-and-white films

Popis výsledku v původním jazyce

The main required parameter of digital restoration is keeping the fidelity and authenticity of the original appearance of the restored film as it was presented at its premiere screening. In the Czech Republic the Methodics of Digitizing of the National Film Fund were developed and internationally certified using the Digitally Restored Authorizate - DRA method. The new profession of Digital restorer requires the expertise of a university-educated restorer or someone with long-term experience. This article describes problems with maintaining fidelity and authenticity in black and white films while using the DRA method when distributers rejected results of restorer. The experience demonstrates the need for further cooperation between archivists, film historians and authors for correct presentation of black and white films which have been digitally restored.

Název v anglickém jazyce

Issues of fidelity and authenticity in digital restoration of black-and-white films

Popis výsledku anglicky

The main required parameter of digital restoration is keeping the fidelity and authenticity of the original appearance of the restored film as it was presented at its premiere screening. In the Czech Republic the Methodics of Digitizing of the National Film Fund were developed and internationally certified using the Digitally Restored Authorizate - DRA method. The new profession of Digital restorer requires the expertise of a university-educated restorer or someone with long-term experience. This article describes problems with maintaining fidelity and authenticity in black and white films while using the DRA method when distributers rejected results of restorer. The experience demonstrates the need for further cooperation between archivists, film historians and authors for correct presentation of black and white films which have been digitally restored.

Druh

J_SC - Článek v periodiku v databázi SCOPUS

CEP obor

—

OECD FORD obor

60405 - Studies on Film, Radio and Television

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2021

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Archiving

ISSN

2161-8798

e-ISSN

—

Svazek periodika

18

Číslo periodika v rámci svazku

1

Stát vydavatele periodika

US - Spojené státy americké

Počet stran výsledku

5

Strana od-do

91-95

Kód UT WoS článku

—

EID výsledku v databázi Scopus

2-s2.0-85120753617