Inter Arma Non Silent Musae: Shakespeare as a Symbol of the Czech pro-Allied Attitude during the Great War

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F49777513%3A23330%2F15%3A43930367" target="_blank" >RIV/49777513:23330/15:43930367 - isvavai.cz</a>

Výsledek na webu

<a href="http://www.phil.muni.cz/plonedata/wkaa/BSE/BSE_2015_41-2/05Misterova.pdf" target="_blank" >http://www.phil.muni.cz/plonedata/wkaa/BSE/BSE_2015_41-2/05Misterova.pdf</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.5817/BSE2015-2-5" target="_blank" >10.5817/BSE2015-2-5</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Inter Arma Non Silent Musae: Shakespeare as a Symbol of the Czech pro-Allied Attitude during the Great War

Popis výsledku v původním jazyce

This article attempts to trace the reception of selected Shakespearean performances in theatre reviews published in period newspapers in terms of critical response embedded in a broader social and political context of the Shakespeare festival held at the National Theatre in Prague in 1916. The Festival was arranged to celebrate the tercentenary of Shakespeare's death. As seen against the backdrop of the Great War, it was understood not only as a great theatrical achievement, but most importantly as a presentation of the Czech national self-awareness and identity. It furthermore attempted to strengthen the autonomy of the Czech theatres and demonstrated the Czech pro-Allied sympathies. Using period theatre reviews anchored in the historical background and framed within the theoretical context of reception aesthetics, this article aims to reveal and interpret some of the elements underpinning selected Shakespearean performances.

Název v anglickém jazyce

Inter Arma Non Silent Musae: Shakespeare as a Symbol of the Czech pro-Allied Attitude during the Great War

Popis výsledku anglicky

This article attempts to trace the reception of selected Shakespearean performances in theatre reviews published in period newspapers in terms of critical response embedded in a broader social and political context of the Shakespeare festival held at the National Theatre in Prague in 1916. The Festival was arranged to celebrate the tercentenary of Shakespeare's death. As seen against the backdrop of the Great War, it was understood not only as a great theatrical achievement, but most importantly as a presentation of the Czech national self-awareness and identity. It furthermore attempted to strengthen the autonomy of the Czech theatres and demonstrated the Czech pro-Allied sympathies. Using period theatre reviews anchored in the historical background and framed within the theoretical context of reception aesthetics, this article aims to reveal and interpret some of the elements underpinning selected Shakespearean performances.

Druh

J_x - Nezařazeno - Článek v odborném periodiku (Jimp, Jsc a Jost)

CEP obor

AL - Umění, architektura, kulturní dědictví

OECD FORD obor

—

Projekt

<a href="/cs/project/GA13-14048S" target="_blank" >GA13-14048S: Angloamerická dramatická tvorba v českých divadlech v době první světové války</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2015

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Brno Studies in English

ISSN

0524-6881

e-ISSN

—

Svazek periodika

41

Číslo periodika v rámci svazku

2

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

17

Strana od-do

73-89

Kód UT WoS článku

—

EID výsledku v databázi Scopus

—