Auden International: Place, Language, and Cold-War Poetry

Kód výsledku v IS VaVaI

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Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Auden International: Place, Language, and Cold-War Poetry

Popis výsledku v původním jazyce

This essay argues that there is a tension in W. H. Auden's postwar poetry between his desire to speak for his epoch and his imaginative engagement in the particular landscapes and cultures of Ischia and Kirchstetten, where he had summer houses. He employed his "epochal" style (the construction of a universal self, references to generic land- and cityscapes that blur national distinctions, his assumption that certain crises and preoccupations are shared across the globe, his development of what John Fuller refers to as a "generalized symbolic form" in his poetry), in major sequences such as "Thanksgiving for a Habitat" and "Bucolics." Countering this was his involvement in the local culture of Kirchstetten, as evidenced for instance in poems like "Whitsunday in Kirchstetten," "Elegy," and "Josef Weinheber." These poems are indices of conflicting forces in his imagination: the ambition to write an all-encompassing poetry of the "age" and the "world," and an attention to the details of ex

Název v anglickém jazyce

Auden International: Place, Language, and Cold-War Poetry

Popis výsledku anglicky

This essay argues that there is a tension in W. H. Auden's postwar poetry between his desire to speak for his epoch and his imaginative engagement in the particular landscapes and cultures of Ischia and Kirchstetten, where he had summer houses. He employed his "epochal" style (the construction of a universal self, references to generic land- and cityscapes that blur national distinctions, his assumption that certain crises and preoccupations are shared across the globe, his development of what John Fuller refers to as a "generalized symbolic form" in his poetry), in major sequences such as "Thanksgiving for a Habitat" and "Bucolics." Countering this was his involvement in the local culture of Kirchstetten, as evidenced for instance in poems like "Whitsunday in Kirchstetten," "Elegy," and "Josef Weinheber." These poems are indices of conflicting forces in his imagination: the ambition to write an all-encompassing poetry of the "age" and the "world," and an attention to the details of ex

Druh

D - Stať ve sborníku

CEP obor

AJ - Písemnictví, mas–media, audiovize

OECD FORD obor

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Projekt

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Návaznosti

V - Vyzkumna aktivita podporovana z jinych verejnych zdroju

Rok uplatnění

2014

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název statě ve sborníku

The Rainbow of American Poetry : Proceedings of the 18th International Colloquium of American Studies

ISBN

978-80-244-4360-7

ISSN

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e-ISSN

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Počet stran výsledku

27

Strana od-do

157-184

Název nakladatele

Palacký University

Místo vydání

Olomouc

Místo konání akce

Olomouc

Datum konání akce

25. 10. 2012

Typ akce podle státní příslušnosti

WRD - Celosvětová akce

Kód UT WoS článku

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