From “Water Liars” to Yonder Stands Your Orphan: Pastimes, Sports, and Games Inside/Outside the Frame of Barry Hannah’s Eagle Lake Stories

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F49777513%3A23420%2F25%3A43977485" target="_blank" >RIV/49777513:23420/25:43977485 - isvavai.cz</a>

Výsledek na webu

<a href="https://absa.upce.cz/index.php/absa/article/view/2773/2411" target="_blank" >https://absa.upce.cz/index.php/absa/article/view/2773/2411</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.46585/ABSA.2025.18.2773" target="_blank" >10.46585/ABSA.2025.18.2773</a>

Jazyk výsledku

angličtina

Název v původním jazyce

From “Water Liars” to Yonder Stands Your Orphan: Pastimes, Sports, and Games Inside/Outside the Frame of Barry Hannah’s Eagle Lake Stories

Popis výsledku v původním jazyce

For most of his career, Mississippi author Barry Hannah was deemed the postmodern heir to William Faulkner and is best known for the short fiction in his landmark collection Airships (1978), which begins with the muchanthologized story “Water Liars.” Like many of the meta-fictionalist masters of the 1970s (Barth, Coover, etc.), Hannah stepped inside/outside the frame of his fictions, often in his case by using highly elevated language, and syntax to depict a rogue’s gallery of down-and-out characters, as well as the construction of numerous autobiographical personas, which wink and wave to his initiated readers. Thus, Hannah’s fiction is not only funny, it is playful, as if to invite the reader into some fictional game.

Název v anglickém jazyce

From “Water Liars” to Yonder Stands Your Orphan: Pastimes, Sports, and Games Inside/Outside the Frame of Barry Hannah’s Eagle Lake Stories

Popis výsledku anglicky

For most of his career, Mississippi author Barry Hannah was deemed the postmodern heir to William Faulkner and is best known for the short fiction in his landmark collection Airships (1978), which begins with the muchanthologized story “Water Liars.” Like many of the meta-fictionalist masters of the 1970s (Barth, Coover, etc.), Hannah stepped inside/outside the frame of his fictions, often in his case by using highly elevated language, and syntax to depict a rogue’s gallery of down-and-out characters, as well as the construction of numerous autobiographical personas, which wink and wave to his initiated readers. Thus, Hannah’s fiction is not only funny, it is playful, as if to invite the reader into some fictional game.

Druh

J_SC - Článek v periodiku v databázi SCOPUS

CEP obor

—

OECD FORD obor

60206 - Specific literatures

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2025

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

American and British Studies Annual

ISSN

1803-6058

e-ISSN

2788-2233

Svazek periodika

18

Číslo periodika v rámci svazku

December 2025

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

15

Strana od-do

1-15

Kód UT WoS článku

—

EID výsledku v databázi Scopus

2-s2.0-105025108031