Towards the Randomness of the Radial Concepts of Spaces in Daniel Deronda.

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F60076658%3A12410%2F12%3A43883934" target="_blank" >RIV/60076658:12410/12:43883934 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Towards the Randomness of the Radial Concepts of Spaces in Daniel Deronda.

Popis výsledku v původním jazyce

The spatial analysis of George Eliot's last novel Daniel Deronda (1876) focuses on three main aspects of the dislocation of space, its emptiness and randomness and finally on the inner spaces of the characters' mind, with respect to Eliot's romantic visions of spaces that become open towards the infinity of the sea at the end of the novel. In Daniel Deronda the characters shift from the physical space, represented by landscape, towards the dimension of the inner spaces of the mind, reflecting Eliot's Romanticism, elaborating the multiplicity of images and visions (Deleuze). The space of the novel is viewed as a multiplicity of self-sufficient places with a variable degree of intensity of becoming empty. Daniel Deronda focuses on the shift from the traditionally Victorian regional perspective towards the decentralized metropolis, creating the radial space structure of the novel in which the theme of displacement and arbitrariness of the place of one's existence becomes crucial for the m

Název v anglickém jazyce

Towards the Randomness of the Radial Concepts of Spaces in Daniel Deronda.

Popis výsledku anglicky

The spatial analysis of George Eliot's last novel Daniel Deronda (1876) focuses on three main aspects of the dislocation of space, its emptiness and randomness and finally on the inner spaces of the characters' mind, with respect to Eliot's romantic visions of spaces that become open towards the infinity of the sea at the end of the novel. In Daniel Deronda the characters shift from the physical space, represented by landscape, towards the dimension of the inner spaces of the mind, reflecting Eliot's Romanticism, elaborating the multiplicity of images and visions (Deleuze). The space of the novel is viewed as a multiplicity of self-sufficient places with a variable degree of intensity of becoming empty. Daniel Deronda focuses on the shift from the traditionally Victorian regional perspective towards the decentralized metropolis, creating the radial space structure of the novel in which the theme of displacement and arbitrariness of the place of one's existence becomes crucial for the m

Druh

J_x - Nezařazeno - Článek v odborném periodiku (Jimp, Jsc a Jost)

CEP obor

AI - Jazykověda

OECD FORD obor

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Projekt

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Návaznosti

V - Vyzkumna aktivita podporovana z jinych verejnych zdroju

Rok uplatnění

2012

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Litteraria Pragensia

ISSN

0862-8424

e-ISSN

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Svazek periodika

21

Číslo periodika v rámci svazku

42

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

12

Strana od-do

97-108

Kód UT WoS článku

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EID výsledku v databázi Scopus

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