Multiplicity of Spaces in Daniel Deronda

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F60076658%3A12410%2F15%3A43889236" target="_blank" >RIV/60076658:12410/15:43889236 - isvavai.cz</a>

Výsledek na webu

<a href="http://www.upce.cz/english/fap/deas/journal/vol-8.html" target="_blank" >http://www.upce.cz/english/fap/deas/journal/vol-8.html</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Multiplicity of Spaces in Daniel Deronda

Popis výsledku v původním jazyce

The paper focuses on the multiplicity of spaces structuring the novel Daniel Deronda and attempts to demonstrate an understanding of space projected by George Eliot in the European context. This last novel of George Eliot was in this respect more revelatory than her previous works, as it moves the author's perception of space far from English regionalism. The paper further contrasts the use of space in Daniel Deronda with Eliot's previous novels using Deleuzoguattarian smooth and striated space as wellas certain Romantic impulses in Victorian novels as defined by D. D. Stone. A significant aspect of the study is an analysis of water as space, namely interpreting the presence of the River Thames and the sea along the port of Genoa. Both of these waterspaces contribute greatly to the development of the novel's plot towards a tragic mood. Heidegger's philosophical treatment of the spatial aspect of the bridge will be focused upon in the final part of the article.

Název v anglickém jazyce

Multiplicity of Spaces in Daniel Deronda

Popis výsledku anglicky

The paper focuses on the multiplicity of spaces structuring the novel Daniel Deronda and attempts to demonstrate an understanding of space projected by George Eliot in the European context. This last novel of George Eliot was in this respect more revelatory than her previous works, as it moves the author's perception of space far from English regionalism. The paper further contrasts the use of space in Daniel Deronda with Eliot's previous novels using Deleuzoguattarian smooth and striated space as wellas certain Romantic impulses in Victorian novels as defined by D. D. Stone. A significant aspect of the study is an analysis of water as space, namely interpreting the presence of the River Thames and the sea along the port of Genoa. Both of these waterspaces contribute greatly to the development of the novel's plot towards a tragic mood. Heidegger's philosophical treatment of the spatial aspect of the bridge will be focused upon in the final part of the article.

Druh

J_x - Nezařazeno - Článek v odborném periodiku (Jimp, Jsc a Jost)

CEP obor

AJ - Písemnictví, mas–media, audiovize

OECD FORD obor

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Projekt

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Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2015

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

American and British Studies Annual

ISSN

1803-6058

e-ISSN

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Svazek periodika

8

Číslo periodika v rámci svazku

8

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

13

Strana od-do

96-108

Kód UT WoS článku

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EID výsledku v databázi Scopus

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