Return to the Future: The Role of Visual Art in the Contemporary Jewish Museum

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F60459263%3A_____%2F14%3A%230000038" target="_blank" >RIV/60459263:_____/14:#0000038 - isvavai.cz</a>

Výsledek na webu

<a href="http://poj.peeters-leuven.be/content.php?url=article&id=3021382&journal_code=SR&download=yes" target="_blank" >http://poj.peeters-leuven.be/content.php?url=article&id=3021382&journal_code=SR&download=yes</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Return to the Future: The Role of Visual Art in the Contemporary Jewish Museum

Popis výsledku v původním jazyce

The essay Return to the Future: The Role of Visual Art in the Contemporary Jewish Museum is based on a paper presented in the conference Jewish Art in Context organized by the Goldstein-Goren Diaspora Research Center at Tel Aviv University in January 2008. It examines the place and role of visual art within the traditional environment of a Jewish museum whose collection is one of the largest in the Jewish Diaspora and whose permanent displays are set in unique sites of the historical district of Josefov(the former Jewish ghetto of Prague). It reflects upon the possibilities of employing visual art and culture as a powerful tool for new display strategies within which visuality becomes a key instrument for communication, learning, and triggering emotional experiences. The author draws largely upon her own curatorial practice, using one of the major contemporary art projects that the Jewish Museum in Prague has developed in the past two decades, ARK by Canadian artist Melissa Shiff, as

Název v anglickém jazyce

Return to the Future: The Role of Visual Art in the Contemporary Jewish Museum

Popis výsledku anglicky

The essay Return to the Future: The Role of Visual Art in the Contemporary Jewish Museum is based on a paper presented in the conference Jewish Art in Context organized by the Goldstein-Goren Diaspora Research Center at Tel Aviv University in January 2008. It examines the place and role of visual art within the traditional environment of a Jewish museum whose collection is one of the largest in the Jewish Diaspora and whose permanent displays are set in unique sites of the historical district of Josefov(the former Jewish ghetto of Prague). It reflects upon the possibilities of employing visual art and culture as a powerful tool for new display strategies within which visuality becomes a key instrument for communication, learning, and triggering emotional experiences. The author draws largely upon her own curatorial practice, using one of the major contemporary art projects that the Jewish Museum in Prague has developed in the past two decades, ARK by Canadian artist Melissa Shiff, as

Druh

J_x - Nezařazeno - Článek v odborném periodiku (Jimp, Jsc a Jost)

CEP obor

AL - Umění, architektura, kulturní dědictví

OECD FORD obor

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Projekt

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Návaznosti

N - Vyzkumna aktivita podporovana z neverejnych zdroju

Rok uplatnění

2014

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Studia Rosenthaliana

ISSN

1781-7838

e-ISSN

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Svazek periodika

45

Číslo periodika v rámci svazku

1

Stát vydavatele periodika

NL - Nizozemsko

Počet stran výsledku

15

Strana od-do

75-89

Kód UT WoS článku

000336882800007

EID výsledku v databázi Scopus

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