Remote Mandarin Kingdoms in the salons of aristocrats and burghers on the periphery of artistic events: Echoes of non-European art in Central Europe in the first half of the 19th century.

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F60461071%3A_____%2F12%3A%230000302" target="_blank" >RIV/60461071:_____/12:#0000302 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Remote Mandarin Kingdoms in the salons of aristocrats and burghers on the periphery of artistic events: Echoes of non-European art in Central Europe in the first half of the 19th century.

Popis výsledku v původním jazyce

In the turn of 18th and 19th centuries Central Europe like Western Europe was confronted with contemporary tastes for Orient curiosities or exotic themes in various waves of fashion. The deeper wave of curiosity about the Orient can be identified in therococo period from 1760s. The trend was reflected not only in an interest in landscaping but also in the decoration of Oriental style interiors. We should mention Veltrusy, Krásný Dvůr, Pernštejn, Lednice, Kroměříž, Zdislavice etc.at least where some Oriental style structures and pavilions were built. In addition many oriental rooms adorned by Chinese and Japanese decorative objects were constructed at Czech and Moravian castles, chateaux and monasteries, too. In the beginning of 19th century new wave of Oriental taste appeared in Czech lands. New Oriental motifs were paint on Czech glass in 1820s and similar motifs appeared on Czech porcelain in 1830s and 1840s, too. We should mention new patterns copying older Japanese Imari porcelain

Název v anglickém jazyce

Remote Mandarin Kingdoms in the salons of aristocrats and burghers on the periphery of artistic events: Echoes of non-European art in Central Europe in the first half of the 19th century.

Popis výsledku anglicky

In the turn of 18th and 19th centuries Central Europe like Western Europe was confronted with contemporary tastes for Orient curiosities or exotic themes in various waves of fashion. The deeper wave of curiosity about the Orient can be identified in therococo period from 1760s. The trend was reflected not only in an interest in landscaping but also in the decoration of Oriental style interiors. We should mention Veltrusy, Krásný Dvůr, Pernštejn, Lednice, Kroměříž, Zdislavice etc.at least where some Oriental style structures and pavilions were built. In addition many oriental rooms adorned by Chinese and Japanese decorative objects were constructed at Czech and Moravian castles, chateaux and monasteries, too. In the beginning of 19th century new wave of Oriental taste appeared in Czech lands. New Oriental motifs were paint on Czech glass in 1820s and similar motifs appeared on Czech porcelain in 1830s and 1840s, too. We should mention new patterns copying older Japanese Imari porcelain

Druh

C - Kapitola v odborné knize

CEP obor

AL - Umění, architektura, kulturní dědictví

OECD FORD obor

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Projekt

<a href="/cs/project/GAP409%2F10%2F2186" target="_blank" >GAP409/10/2186: Čínské umění v českých regionálních sbírkách</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2012

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

Evgeny Steiner (ed.), Orientalism/Occidentalism. Languages of Cultures vs. Languages of Description.

ISBN

978-5-903060-75-7

Počet stran výsledku

8

Strana od-do

50-57

Počet stran knihy

415

Název nakladatele

Izdavatelstvo Sovpadenie, Moskva

Místo vydání

Moscow

Kód UT WoS kapitoly

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