Silence about feminism and ?femininity? as an aesthetic value. The case of Jindřich Chalupecký?s post-1968 art theory regarding women artists

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F60461071%3A_____%2F15%3A%230000430" target="_blank" >RIV/60461071:_____/15:#0000430 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Silence about feminism and ?femininity? as an aesthetic value. The case of Jindřich Chalupecký?s post-1968 art theory regarding women artists

Popis výsledku v původním jazyce

The text is focused on one of the key terms of post-war Western art that was expelled from both official and unofficial discussions about visual art ? namely feminist art. It argues that it were ideological and gender prejudices rather than lack of information that caused a consistent ignorance of diversity of feminist art and feminism itself among Czech art historians and critics during the 1970s and 80s. Taking a rare example of Jindřich Chaluecký?s writing about Czech and Slovak women artists, the text documents how the Western feminist art discourse was neutralized during the period of post-1968 normalization through much less radical and apolitical term ?women?s art?, or ? even more significantly ? through biologically determined ?femininity? in art.

Název v anglickém jazyce

Silence about feminism and ?femininity? as an aesthetic value. The case of Jindřich Chalupecký?s post-1968 art theory regarding women artists

Popis výsledku anglicky

The text is focused on one of the key terms of post-war Western art that was expelled from both official and unofficial discussions about visual art ? namely feminist art. It argues that it were ideological and gender prejudices rather than lack of information that caused a consistent ignorance of diversity of feminist art and feminism itself among Czech art historians and critics during the 1970s and 80s. Taking a rare example of Jindřich Chaluecký?s writing about Czech and Slovak women artists, the text documents how the Western feminist art discourse was neutralized during the period of post-1968 normalization through much less radical and apolitical term ?women?s art?, or ? even more significantly ? through biologically determined ?femininity? in art.

Druh

J_x - Nezařazeno - Článek v odborném periodiku (Jimp, Jsc a Jost)

CEP obor

AL - Umění, architektura, kulturní dědictví

OECD FORD obor

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Projekt

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Návaznosti

V - Vyzkumna aktivita podporovana z jinych verejnych zdroju

Rok uplatnění

2015

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

n.paradoxa. International Feminist Art Journal

ISSN

1461-0434

e-ISSN

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Svazek periodika

18

Číslo periodika v rámci svazku

35

Stát vydavatele periodika

GB - Spojené království Velké Británie a Severního Irska

Počet stran výsledku

7

Strana od-do

84-90

Kód UT WoS článku

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EID výsledku v databázi Scopus

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