Silence Surrounding Feminism and Femininity as an Aesthetic Value: Czech Women Artists Through the Eyes of Jindřich Chalupecký
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F60461071%3A_____%2F19%3AN0000012" target="_blank" >RIV/60461071:_____/19:N0000012 - isvavai.cz</a>
Výsledek na webu
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DOI - Digital Object Identifier
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Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
Silence Surrounding Feminism and Femininity as an Aesthetic Value: Czech Women Artists Through the Eyes of Jindřich Chalupecký
Popis výsledku v původním jazyce
The text is focused on one of the key terms of post-war Western art that was expelled from both official and unofficial discussions about visual art – namely feminist art. It argues that it were ideological and gender prejudices rather than lack of information that caused a consistent ignorance of diversity of feminist art and feminism itself among Czech art historians and critics during the 1970s and 80s. Taking a rare example of Jindřich Chalupecký’s writing about Czech and Slovak women artists, the text documents how the Western feminist art discourse was neutralized during the period of post-1968 normalization through much less radical and apolitical term “women’s art”, or – even more significantly – through biologically determined “femininity” in art.
Název v anglickém jazyce
Silence Surrounding Feminism and Femininity as an Aesthetic Value: Czech Women Artists Through the Eyes of Jindřich Chalupecký
Popis výsledku anglicky
The text is focused on one of the key terms of post-war Western art that was expelled from both official and unofficial discussions about visual art – namely feminist art. It argues that it were ideological and gender prejudices rather than lack of information that caused a consistent ignorance of diversity of feminist art and feminism itself among Czech art historians and critics during the 1970s and 80s. Taking a rare example of Jindřich Chalupecký’s writing about Czech and Slovak women artists, the text documents how the Western feminist art discourse was neutralized during the period of post-1968 normalization through much less radical and apolitical term “women’s art”, or – even more significantly – through biologically determined “femininity” in art.
Klasifikace
Druh
C - Kapitola v odborné knize
CEP obor
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OECD FORD obor
60401 - Arts, Art history
Návaznosti výsledku
Projekt
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Návaznosti
V - Vyzkumna aktivita podporovana z jinych verejnych zdroju
Ostatní
Rok uplatnění
2019
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Údaje specifické pro druh výsledku
Název knihy nebo sborníku
Reader: Notebook for Art, Theory and Related Zones, 2007–2017
ISBN
978-80-87108-92-5
Počet stran výsledku
9
Strana od-do
193-201
Počet stran knihy
382
Název nakladatele
Vědeckovýzkumné pracoviště AVU/AVU Research Center
Místo vydání
Praha
Kód UT WoS kapitoly
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