Beyond the Paradigm of Post-1989 Feminist Art History. Researching All-women Exhibitions in Czechoslovakia, Poland and Croatia/Yugoslavia (1945-1989)

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11210%2F23%3A10470277" target="_blank" >RIV/00216208:11210/23:10470277 - isvavai.cz</a>

Výsledek na webu

<a href="https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=QCu9yW4duh" target="_blank" >https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=QCu9yW4duh</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.31338/2657-6015ik.33.2" target="_blank" >10.31338/2657-6015ik.33.2</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Beyond the Paradigm of Post-1989 Feminist Art History. Researching All-women Exhibitions in Czechoslovakia, Poland and Croatia/Yugoslavia (1945-1989)

Popis výsledku v původním jazyce

There have been some attempts in recent years to construct a global history of all-women art initiatives, including those undertaken in Eastern Europe. They have succeeded in - slowly - redrawing a map of all-women art activities, and yet, have revealed numerous limitations of revisionist attempts. In this text, we demonstrate how the specificity of (art) historiography developed in Eastern Europe after the political transformation in 1989, particularly its anti-communist bias, contributed to the erasure of all-women art activities related to socialist states&apos; politics from social memory and feminist art history. In the second part of the text, we develop parallel narratives - on Polish, Czech and Croatian/Yugoslav art scenes, respectively - about how this tendency manifests itself in the research on all-women exhibitions. These observations are a starting point for our histories of all-women exhibitions that include activities of women artists and women organisations so far neglected in post-socialist feminist art historiography.

Název v anglickém jazyce

Beyond the Paradigm of Post-1989 Feminist Art History. Researching All-women Exhibitions in Czechoslovakia, Poland and Croatia/Yugoslavia (1945-1989)

Popis výsledku anglicky

There have been some attempts in recent years to construct a global history of all-women art initiatives, including those undertaken in Eastern Europe. They have succeeded in - slowly - redrawing a map of all-women art activities, and yet, have revealed numerous limitations of revisionist attempts. In this text, we demonstrate how the specificity of (art) historiography developed in Eastern Europe after the political transformation in 1989, particularly its anti-communist bias, contributed to the erasure of all-women art activities related to socialist states&apos; politics from social memory and feminist art history. In the second part of the text, we develop parallel narratives - on Polish, Czech and Croatian/Yugoslav art scenes, respectively - about how this tendency manifests itself in the research on all-women exhibitions. These observations are a starting point for our histories of all-women exhibitions that include activities of women artists and women organisations so far neglected in post-socialist feminist art historiography.

Druh

J_ost - Ostatní články v recenzovaných periodicích

CEP obor

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OECD FORD obor

60401 - Arts, Art history

Projekt

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Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2023

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Ikonotheka

ISSN

0860-5769

e-ISSN

2657-6015

Svazek periodika

33

Číslo periodika v rámci svazku

1

Stát vydavatele periodika

PL - Polská republika

Počet stran výsledku

40

Strana od-do

17-56

Kód UT WoS článku

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EID výsledku v databázi Scopus

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