From Within, From Without: Configurations of Feminism, Gender and Art in Post-Wall Europe

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F60461071%3A_____%2F19%3AN0000013" target="_blank" >RIV/60461071:_____/19:N0000013 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

From Within, From Without: Configurations of Feminism, Gender and Art in Post-Wall Europe

Popis výsledku v původním jazyce

While analyzing contemporary curatorial and art critical discourse in the countries of former Eastern Europe, the text describes the complexity of post-communist art from the perspective of the politics of gender and race. It explores the status of feminism as a political and artistic concept in the post-wall Europe, and shows how various power mechanisms of exclusion and inclusion work on the local art scene(s). The text underlines situatedness in place and time that prevents women (and other subjects on the margins) to be approached as singular and timeless, and makes them more aware of changing modes of oppression. While most feminist and gender-based art and art theory in the ex-East continues to be prevailingly created and written by white women and focuses on white femininity (sometimes on white men/masculinity), the text recognizes un-reflected forms of difference and multivocality among non-white women artists and curators, especially Roma.

Název v anglickém jazyce

From Within, From Without: Configurations of Feminism, Gender and Art in Post-Wall Europe

Popis výsledku anglicky

While analyzing contemporary curatorial and art critical discourse in the countries of former Eastern Europe, the text describes the complexity of post-communist art from the perspective of the politics of gender and race. It explores the status of feminism as a political and artistic concept in the post-wall Europe, and shows how various power mechanisms of exclusion and inclusion work on the local art scene(s). The text underlines situatedness in place and time that prevents women (and other subjects on the margins) to be approached as singular and timeless, and makes them more aware of changing modes of oppression. While most feminist and gender-based art and art theory in the ex-East continues to be prevailingly created and written by white women and focuses on white femininity (sometimes on white men/masculinity), the text recognizes un-reflected forms of difference and multivocality among non-white women artists and curators, especially Roma.

Druh

C - Kapitola v odborné knize

CEP obor

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OECD FORD obor

60401 - Arts, Art history

Projekt

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Návaznosti

V - Vyzkumna aktivita podporovana z jinych verejnych zdroju

Rok uplatnění

2019

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

A Companion to Feminist Art

ISBN

978-1-118-92915-5

Počet stran výsledku

16

Strana od-do

111-126

Počet stran knihy

566

Název nakladatele

Wiley Blackwell

Místo vydání

Hobocken, NJ (USA) – Chichester (UK)

Kód UT WoS kapitoly

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