Mária Orišková, Curating “Eastern Europe” and Beyond: Art Histories through the Exhibition

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F60461071%3A_____%2F17%3AN0000017" target="_blank" >RIV/60461071:_____/17:N0000017 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Mária Orišková, Curating “Eastern Europe” and Beyond: Art Histories through the Exhibition

Popis výsledku v původním jazyce

In a similar way to the previous publications, Orišková’s anthology Curating ‘Eastern Europe’ and Beyond: Art Histories through the Exhibition is dealing with a problem introduced to art history by current artistic practice, the problem of the exhibition as a specific art medium, in which an exhibition is raised to the level of an independent unit of significance. Interpreted in this fashion, the exhibition has become, in the last two decades, the subject of extensive art-historical research. This shift in the understanding of the exhibition is, of course, of special significance for the art history of the countries of the former Eastern Bloc, for it is with the help of exhibition presentations, rather than through written histories, that the art of this region has been introduced to the western public. Due to the temporary nature of their subject of interest the history of exhibitions corresponds in addition to the provisional and fragmentary approach, which Orišková emphasised in her previous book Dvojhlasné dejiny umenia.

Název v anglickém jazyce

Mária Orišková, Curating “Eastern Europe” and Beyond: Art Histories through the Exhibition

Popis výsledku anglicky

In a similar way to the previous publications, Orišková’s anthology Curating ‘Eastern Europe’ and Beyond: Art Histories through the Exhibition is dealing with a problem introduced to art history by current artistic practice, the problem of the exhibition as a specific art medium, in which an exhibition is raised to the level of an independent unit of significance. Interpreted in this fashion, the exhibition has become, in the last two decades, the subject of extensive art-historical research. This shift in the understanding of the exhibition is, of course, of special significance for the art history of the countries of the former Eastern Bloc, for it is with the help of exhibition presentations, rather than through written histories, that the art of this region has been introduced to the western public. Due to the temporary nature of their subject of interest the history of exhibitions corresponds in addition to the provisional and fragmentary approach, which Orišková emphasised in her previous book Dvojhlasné dejiny umenia.

Druh

J_ost - Ostatní články v recenzovaných periodicích

CEP obor

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OECD FORD obor

60401 - Arts, Art history

Projekt

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Návaznosti

V - Vyzkumna aktivita podporovana z jinych verejnych zdroju

Rok uplatnění

2017

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Umění

ISSN

0049-5123

e-ISSN

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Svazek periodika

LXIV

Číslo periodika v rámci svazku

5

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

4

Strana od-do

440-443

Kód UT WoS článku

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EID výsledku v databázi Scopus

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