1968: In Search for “Socialism with Human Face” in Czech Art History

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F60461071%3A_____%2F19%3AN0000006" target="_blank" >RIV/60461071:_____/19:N0000006 - isvavai.cz</a>

Výsledek na webu

<a href="https://pressto.amu.edu.pl/index.php/aq" target="_blank" >https://pressto.amu.edu.pl/index.php/aq</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

1968: In Search for “Socialism with Human Face” in Czech Art History

Popis výsledku v původním jazyce

The five or eight years leading up to the failed “Prague Spring” represent the most important period of Czech humanities tradition during the Communist Party dictatorship. Art history did not directly participate in either of the most prominent period discourses, but it was able to develop its own specific methodologies following the Czech continuation of the Vienna School legacy. The contribution analyzes the discourse of Marxist Iconology, developed by J. Neumann and R. Chadraba, and presents the case of F. Šmejkal and his concept of Imaginative Art, which was, interestingly, the sole case during the whole 40 years of the Communist Party rule when the highest Party officials became directly involved in Czech art historical practice. From the point of view of art historical practice, the most important feature of the brief period 1963–1969 was the new possibility of contacts with foreign art historians and of traveling abroad.

Název v anglickém jazyce

1968: In Search for “Socialism with Human Face” in Czech Art History

Popis výsledku anglicky

The five or eight years leading up to the failed “Prague Spring” represent the most important period of Czech humanities tradition during the Communist Party dictatorship. Art history did not directly participate in either of the most prominent period discourses, but it was able to develop its own specific methodologies following the Czech continuation of the Vienna School legacy. The contribution analyzes the discourse of Marxist Iconology, developed by J. Neumann and R. Chadraba, and presents the case of F. Šmejkal and his concept of Imaginative Art, which was, interestingly, the sole case during the whole 40 years of the Communist Party rule when the highest Party officials became directly involved in Czech art historical practice. From the point of view of art historical practice, the most important feature of the brief period 1963–1969 was the new possibility of contacts with foreign art historians and of traveling abroad.

Druh

J_ost - Ostatní články v recenzovaných periodicích

CEP obor

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OECD FORD obor

60401 - Arts, Art history

Projekt

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Návaznosti

V - Vyzkumna aktivita podporovana z jinych verejnych zdroju

Rok uplatnění

2019

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Artium Quaestiones

ISSN

0239-202X

e-ISSN

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Svazek periodika

30

Číslo periodika v rámci svazku

1

Stát vydavatele periodika

PL - Polská republika

Počet stran výsledku

11

Strana od-do

225-236

Kód UT WoS článku

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EID výsledku v databázi Scopus

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