1920s and 1930s Prague Architecture with Special Focus on the German Cultural Circle: Adolf Foehr, Fritz Lehmann, Rudolf Hildebrand

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F60461071%3A_____%2F21%3AN0000008" target="_blank" >RIV/60461071:_____/21:N0000008 - isvavai.cz</a>

Výsledek na webu

<a href="https://www.umeni-art.cz/en/issue-detail.aspx?v=issue-issue-3387" target="_blank" >https://www.umeni-art.cz/en/issue-detail.aspx?v=issue-issue-3387</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

1920s and 1930s Prague Architecture with Special Focus on the German Cultural Circle: Adolf Foehr, Fritz Lehmann, Rudolf Hildebrand

Popis výsledku v původním jazyce

The interwar Prague architecture scene was a very heterogeneous milieu where Czech, German, and Jewish architects met but also missed each other. The study focuses on Prague’s German-speaking group, which formed a unique and complicated structure. Prague’s German-speaking architects included Czech Germans (Deutschböhmen), Jews from Czechoslovakia as well as the rest of the former monarchy, Germans, and Austrians. Given this high level of diversity within this broadly conceived group, the author presents a division of German-speaking architects according to their orientation towards a specific cultural environment, i.e. into a German-oriented group and a circle on the borderline between the Czech and German cultural milieu. The first group, on which the article focuses, exhibits more common characteristic traits, creating certain mini-centres within Prague’s cultural scene. On the basis of three exemplary cases of architects from this German cultural milieu, the article introduces important moments defining Prague’s German architecture scene. In the case of Adolf Foehr, this has to do primarily with the activity of Prague’s German housing associations. In some parts of Prague, German apartment buildings had a major impact on the character of the quarter. Also important in addition to a certain stylistic specificity are personal connections among architects and construction builders, as well as between architects and Prague authorities. One of the methodological backbones of the entire research consisted in reconstructing this imaginary network of ties and relations. Fritz Lehmann’s example illustrates the complicated situation at Prague’s German Technical University and the backdrop of rivalry within the German-speaking milieu. Architect Lehmann is also author of the reconstruction of the German House (Deutsches Haus) and a few published articles that untangle the complicated welter of Czech-German connections and potential nationalist antagonisms. Rudolf Hildebrand, the article’s last exemplary architect, corroborates its proposed observations in his uniquely preserved personal memoirs.

Název v anglickém jazyce

1920s and 1930s Prague Architecture with Special Focus on the German Cultural Circle: Adolf Foehr, Fritz Lehmann, Rudolf Hildebrand

Popis výsledku anglicky

The interwar Prague architecture scene was a very heterogeneous milieu where Czech, German, and Jewish architects met but also missed each other. The study focuses on Prague’s German-speaking group, which formed a unique and complicated structure. Prague’s German-speaking architects included Czech Germans (Deutschböhmen), Jews from Czechoslovakia as well as the rest of the former monarchy, Germans, and Austrians. Given this high level of diversity within this broadly conceived group, the author presents a division of German-speaking architects according to their orientation towards a specific cultural environment, i.e. into a German-oriented group and a circle on the borderline between the Czech and German cultural milieu. The first group, on which the article focuses, exhibits more common characteristic traits, creating certain mini-centres within Prague’s cultural scene. On the basis of three exemplary cases of architects from this German cultural milieu, the article introduces important moments defining Prague’s German architecture scene. In the case of Adolf Foehr, this has to do primarily with the activity of Prague’s German housing associations. In some parts of Prague, German apartment buildings had a major impact on the character of the quarter. Also important in addition to a certain stylistic specificity are personal connections among architects and construction builders, as well as between architects and Prague authorities. One of the methodological backbones of the entire research consisted in reconstructing this imaginary network of ties and relations. Fritz Lehmann’s example illustrates the complicated situation at Prague’s German Technical University and the backdrop of rivalry within the German-speaking milieu. Architect Lehmann is also author of the reconstruction of the German House (Deutsches Haus) and a few published articles that untangle the complicated welter of Czech-German connections and potential nationalist antagonisms. Rudolf Hildebrand, the article’s last exemplary architect, corroborates its proposed observations in his uniquely preserved personal memoirs.

Druh

J_imp - Článek v periodiku v databázi Web of Science

CEP obor

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OECD FORD obor

60401 - Arts, Art history

Projekt

<a href="/cs/project/DG18P02OVV041" target="_blank" >DG18P02OVV041: Architektura a česká politika v 19. – 21. století</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2021

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Umění/ Arts

ISSN

0049-5123

e-ISSN

1804-6509

Svazek periodika

LXVIII

Číslo periodika v rámci svazku

4

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

13

Strana od-do

365-377

Kód UT WoS článku

000683783600002

EID výsledku v databázi Scopus

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