Film Montage and the Principle of Montage in Non-Cinematic Media, A Case Study: The Early Collages of Jiří Kolář

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F60461446%3A52810%2F19%3AN0000012" target="_blank" >RIV/60461446:52810/19:N0000012 - isvavai.cz</a>

Výsledek na webu

<a href="https://courtauld.ac.uk/research/courtauld-books-online/a-reader-in-east-central-european-modernism-1918-1956" target="_blank" >https://courtauld.ac.uk/research/courtauld-books-online/a-reader-in-east-central-european-modernism-1918-1956</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Film Montage and the Principle of Montage in Non-Cinematic Media, A Case Study: The Early Collages of Jiří Kolář

Popis výsledku v původním jazyce

This essays considers the relationship between non-cinematic works of art whose structure appears to apply principles of film montage. Examples of this are collages of Jiří Kolář from the late 1940s and early 1950s, in which he created pictorial sequences using cuttings from illustrated magazines. Montage is not a technique pursued only in the film industry; it is also associated with other methonds of cultural production and its theoretical reflection. In attempting to describe and interpret Kolář's work, a direct connection with film cannot be proved. Rather than by cinematic methods and theories, Kolář was influenced by popular culture, in particular the layouts of illustrated magazines, and then, only secondarily, by the methods of film composition that had penetrated those magazines.

Název v anglickém jazyce

Film Montage and the Principle of Montage in Non-Cinematic Media, A Case Study: The Early Collages of Jiří Kolář

Popis výsledku anglicky

This essays considers the relationship between non-cinematic works of art whose structure appears to apply principles of film montage. Examples of this are collages of Jiří Kolář from the late 1940s and early 1950s, in which he created pictorial sequences using cuttings from illustrated magazines. Montage is not a technique pursued only in the film industry; it is also associated with other methonds of cultural production and its theoretical reflection. In attempting to describe and interpret Kolář's work, a direct connection with film cannot be proved. Rather than by cinematic methods and theories, Kolář was influenced by popular culture, in particular the layouts of illustrated magazines, and then, only secondarily, by the methods of film composition that had penetrated those magazines.

Druh

C - Kapitola v odborné knize

CEP obor

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OECD FORD obor

60401 - Arts, Art history

Projekt

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Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2019

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

A Reader in East-Central-European Modernism 1918–1956

ISBN

978-1-907485-11-4

Počet stran výsledku

12

Strana od-do

387-398

Počet stran knihy

436

Název nakladatele

The Courtauld Institute of Art, London

Místo vydání

London

Kód UT WoS kapitoly

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