Performance Art in Czechoslovakia – Remembered, Described, Interpreted, Photographed and Filmed, Sometimes Even Reenacted

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F60461446%3A52810%2F20%3AN0000037" target="_blank" >RIV/60461446:52810/20:N0000037 - isvavai.cz</a>

Výsledek na webu

<a href="http://www.apparatusjournal.net/index.php/apparatus/article/view/206/480" target="_blank" >http://www.apparatusjournal.net/index.php/apparatus/article/view/206/480</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.17892/app.2020.0000.206" target="_blank" >10.17892/app.2020.0000.206</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Performance Art in Czechoslovakia – Remembered, Described, Interpreted, Photographed and Filmed, Sometimes Even Reenacted

Popis výsledku v původním jazyce

The text is describing the process of Performance Art History writing in Central-Eastern Europe based on the examples from Czech performance art and is examining how this history is presented in today’s museums. Understanding of Performance Art is complicated by the misleading testimony of the preserved documentation or by its absence on one hand and on the other by the timelessness of some of the pieces that have circulated as legends for several decades. When it comes to Performance Art and its “history making” in the West, it all happened in the 1970s, when books by RoseLee Goldberg and Lucy Lippard were published. East “history making” of Performance Art is a different story, it took place in several stages and we are still part of it.

Název v anglickém jazyce

Performance Art in Czechoslovakia – Remembered, Described, Interpreted, Photographed and Filmed, Sometimes Even Reenacted

Popis výsledku anglicky

The text is describing the process of Performance Art History writing in Central-Eastern Europe based on the examples from Czech performance art and is examining how this history is presented in today’s museums. Understanding of Performance Art is complicated by the misleading testimony of the preserved documentation or by its absence on one hand and on the other by the timelessness of some of the pieces that have circulated as legends for several decades. When it comes to Performance Art and its “history making” in the West, it all happened in the 1970s, when books by RoseLee Goldberg and Lucy Lippard were published. East “history making” of Performance Art is a different story, it took place in several stages and we are still part of it.

Druh

J_ost - Ostatní články v recenzovaných periodicích

CEP obor

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OECD FORD obor

60401 - Arts, Art history

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2020

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Apparatus

ISSN

2365-7758

e-ISSN

2365-7758

Svazek periodika

neuveden

Číslo periodika v rámci svazku

Volume I

Stát vydavatele periodika

DE - Spolková republika Německo

Počet stran výsledku

8

Strana od-do

nestrankovano

Kód UT WoS článku

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EID výsledku v databázi Scopus

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