Interpretation of the painting the infant saint john the baptist with the lamb by melchiorre gherardini
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F60461446%3A_____%2F20%3AN0000015" target="_blank" >RIV/60461446:_____/20:N0000015 - isvavai.cz</a>
Výsledek na webu
<a href="https://apps.webofknowledge.com/full_record.do?product=WOS&search_mode=GeneralSearch&qid=28&SID=C1f7gecHNzvQoKOxtRs&page=1&doc=1" target="_blank" >https://apps.webofknowledge.com/full_record.do?product=WOS&search_mode=GeneralSearch&qid=28&SID=C1f7gecHNzvQoKOxtRs&page=1&doc=1</a>
DOI - Digital Object Identifier
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Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
Interpretation of the painting the infant saint john the baptist with the lamb by melchiorre gherardini
Popis výsledku v původním jazyce
The Painting The Infant Saint John the Baptist with the Lamb, which is part of the collection of the Slovak National Gallery in Bratislava, is currently attributed to Melchiorre Gherardini (1607–1675) of Milan, Italy, who was active at the beginning of the Baroque period. This unsigned and undated cabinet painting is instructive because of its material composition, technological build up, the history and nature of subsequent interventions, and finally because of the difficulty in determining its restoration method. Interdisciplinary research of this painting has revealed one unrecorded local specific feature applied in the Milan painting. The creation of its structure indicated lessons learned from the tradition of Netherlandish painting. The finding suggests the artist’s desire to adhere to the technology which could be applied by artists working in the circle of important patron Federico Borromeo under the influence of his interests. The identification of a different extent of degradation of individual sections of the color layer led to the designation of the character and date of execution of subsequent interventions, and enabled a virtual reconstruction of the original look and the establishment of the nature of the restoration interpretation of the painting.
Název v anglickém jazyce
Interpretation of the painting the infant saint john the baptist with the lamb by melchiorre gherardini
Popis výsledku anglicky
The Painting The Infant Saint John the Baptist with the Lamb, which is part of the collection of the Slovak National Gallery in Bratislava, is currently attributed to Melchiorre Gherardini (1607–1675) of Milan, Italy, who was active at the beginning of the Baroque period. This unsigned and undated cabinet painting is instructive because of its material composition, technological build up, the history and nature of subsequent interventions, and finally because of the difficulty in determining its restoration method. Interdisciplinary research of this painting has revealed one unrecorded local specific feature applied in the Milan painting. The creation of its structure indicated lessons learned from the tradition of Netherlandish painting. The finding suggests the artist’s desire to adhere to the technology which could be applied by artists working in the circle of important patron Federico Borromeo under the influence of his interests. The identification of a different extent of degradation of individual sections of the color layer led to the designation of the character and date of execution of subsequent interventions, and enabled a virtual reconstruction of the original look and the establishment of the nature of the restoration interpretation of the painting.
Klasifikace
Druh
D - Stať ve sborníku
CEP obor
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OECD FORD obor
60401 - Arts, Art history
Návaznosti výsledku
Projekt
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Návaznosti
I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace
Ostatní
Rok uplatnění
2020
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Údaje specifické pro druh výsledku
Název statě ve sborníku
Acta Artis Academica 2020: The Colour Theme
ISBN
978-80-88366-14-0
ISSN
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e-ISSN
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Počet stran výsledku
11
Strana od-do
129-139
Název nakladatele
Akademie výtvarných umění v Praze
Místo vydání
Praha
Místo konání akce
Bratislava
Datum konání akce
16. 10. 2019
Typ akce podle státní příslušnosti
EUR - Evropská akce
Kód UT WoS článku
000646188900010