Wind Blowing Through Utopia. Form and Impermanence in New Music

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61384984%3A51110%2F15%3A%230000414" target="_blank" >RIV/61384984:51110/15:#0000414 - isvavai.cz</a>

Výsledek na webu

<a href="http://www.namu.cz/item.php?item=317" target="_blank" >http://www.namu.cz/item.php?item=317</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Wind Blowing Through Utopia. Form and Impermanence in New Music

Popis výsledku v původním jazyce

Utopian concepts have entered European thought since the Renaissance. In music, the first futurist composer was perhaps Claudio Monteverdi. He abandoned the traditional architectural devices in favour of free structures inspired by the expressive components of texts. The subject of Monteverdi?s first opera, Orpheus, is connected with the lyre, an instrument producing short, ephemeral sounds. Since the Renaissance, there has been a constant fight in music between architectural forces and the attacks of transience symbolized by the blowing of the wind. Modern music tends to succumb to ephemerality. This connects composers otherwise so different as John Cage and Brian Ferneyhough. The city of Utopia is in danger of being destroyed by the wind. The composer of the future may well not be a citizen, but a nomad.

Název v anglickém jazyce

Wind Blowing Through Utopia. Form and Impermanence in New Music

Popis výsledku anglicky

Utopian concepts have entered European thought since the Renaissance. In music, the first futurist composer was perhaps Claudio Monteverdi. He abandoned the traditional architectural devices in favour of free structures inspired by the expressive components of texts. The subject of Monteverdi?s first opera, Orpheus, is connected with the lyre, an instrument producing short, ephemeral sounds. Since the Renaissance, there has been a constant fight in music between architectural forces and the attacks of transience symbolized by the blowing of the wind. Modern music tends to succumb to ephemerality. This connects composers otherwise so different as John Cage and Brian Ferneyhough. The city of Utopia is in danger of being destroyed by the wind. The composer of the future may well not be a citizen, but a nomad.

Druh

J_x - Nezařazeno - Článek v odborném periodiku (Jimp, Jsc a Jost)

CEP obor

AL - Umění, architektura, kulturní dědictví

OECD FORD obor

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Projekt

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Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2015

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Živá hudba, časopis pro studium hudby a tance

ISSN

0514-7735

e-ISSN

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Svazek periodika

6

Číslo periodika v rámci svazku

2015

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

16

Strana od-do

22-37

Kód UT WoS článku

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EID výsledku v databázi Scopus

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